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Dante rinviene nel terzo cerchio.

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I peccatori di gola soffrono in eterno sdraiati a terra sotto una pioggia battente e gelida, mischiata a grandine e neve. Cerbero, il cane infernale a tre teste, si accanisce sulle loro membra, li azzanna e li scuoia.

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PASSO DELLA COMMEDIA: Inf. 6, 13-18

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Virgilio lancia una manciata di terra nella bocca del mostro e lo acquieta. Tra i dannati che Dante e Virgilio calpestano per avanzare, uno si alza a sedere. È il fiorentino Ciacco, che riconosce il concittadino Dante e a lui si rivolge.

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Nel disegno realizzato nel margine inferiore della carta, Dante e Virgilio sono davanti a Ciacco e ai golosi. - Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, c. 29r.

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Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.

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Il Plut. 90 inf. 42 è un codice cartaceo prodotto nel XIV secolo. Nel copiare, lo scriba anonimo alterna dei gruppi di terzine con dei passi del commento alla Commedia di Graziolo Bambaglioli. Un secondo copista, Filippo di Matteo Villani, corregge le sviste del primo e aggiunge alcune annotazioni. I 43 disegni a penna che decorano il manoscritto non sembrano essere stati previsti nel piano originario di copia, e sono probabilmente opera del copista principale e di un altro artista. Il manoscritto è una delle copie della Commedia più esplicitamente collegate all’ambito mercantile, come testimoniano sia il formato del manoscritto, lungo e stretto come un libro di conti, sia la scrittura mercantesca utilizzata nella trascrizione.

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Nel disegno, Dante e Virgilio parlano con Ciacco. Sono visibili anche altre anime dannate per gola.

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Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, cc. 28v-29r

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Ciacco condanna la sua Firenze, affetta da superbia, invidia e avarizia, e ne profetizza la sorte. Nella lotta tra i partiti dei Guelfi bianchi e dei Guelfi neri, la vittoria dei secondi porterà alla cacciata dei primi. A Dante, guelfo bianco, toccherà l’esilio.

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Dante rinviene nel terzo cerchio.

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I peccatori di gola soffrono in eterno sdraiati a terra sotto una pioggia battente e gelida, mischiata a grandine e neve. Cerbero, il cane infernale a tre teste, si accanisce sulle loro membra, li azzanna e li scuoia.

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PASSO DELLA COMMEDIA: Inf. 6, 13-18

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Virgilio lancia una manciata di terra nella bocca del mostro e lo acquieta. Tra i dannati che Dante e Virgilio calpestano per avanzare, uno si alza a sedere. È il fiorentino Ciacco, che riconosce il concittadino Dante e a lui si rivolge.

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Nel disegno realizzato nel margine inferiore della carta, Dante e Virgilio sono davanti a Ciacco e ai golosi. - Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, c. 29r.

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Il Plut. 90 inf. 42 è un codice cartaceo prodotto nel XIV secolo. Nel copiare, lo scriba anonimo alterna dei gruppi di terzine con dei passi del commento alla Commedia di Graziolo Bambaglioli. Un secondo copista, Filippo di Matteo Villani, corregge le sviste del primo e aggiunge alcune annotazioni. I 43 disegni a penna che decorano il manoscritto non sembrano essere stati previsti nel piano originario di copia, e sono probabilmente opera del copista principale e di un altro artista. Il manoscritto è una delle copie della Commedia più esplicitamente collegate all’ambito mercantile, come testimoniano sia il formato del manoscritto, lungo e stretto come un libro di conti, sia la scrittura mercantesca utilizzata nella trascrizione.

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Nel disegno, Dante e Virgilio parlano con Ciacco. Sono visibili anche altre anime dannate per gola.

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Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, cc. 28v-29r

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Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.

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Ciacco condanna la sua Firenze, affetta da superbia, invidia e avarizia, e ne profetizza la sorte. Nella lotta tra i partiti dei Guelfi bianchi e dei Guelfi neri, la vittoria dei secondi porterà alla cacciata dei primi. A Dante, guelfo bianco, toccherà l’esilio.

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