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Ogni anima dannata affronta il giudizio di Minosse per conoscere il luogo dell’Inferno in cui soffrirà la propria pena. Il mostruoso giudice infernale avvolge la coda su sé stesso: tanti giri quant’è il numero di cerchi che il dannato dovrà scendere, fino ad arrivare a quello in cui risiederà per l'eternità.

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Dante, Virgilio e i lussuriosi. Sullo sfondo, Minosse giudica le anime e assegna a ciascuna il proprio posto in Inferno. - Jan van der Straet, Dante, Illustrazioni alla Divina Commedia, Firenze, Fratelli Alinari, 1893. McGill Rare Books and Special Collections, elfPQ4329S71893.

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Il volume raccoglie alcune illustrazioni della Commedia realizzate dal pittore fiammingo Jan van der Straet (1523-1605), conosciuto anche come Stradano. Il progetto dell’artista di illustrare l’intera opera resta incompiuto ed è in parte conservato nel manoscritto Palatino 75 della Biblioteca Medicea Laurenziana di Firenze. L’impresa dei Fratelli Alinari decide di pubblicare nel 1893 una riproduzione fotografica (in fototipia) dei disegni contenuti nel Palatino 75.

\n

Nell'illustrazione, Dante e Virgilio parlano con Paolo e Francesca, dannati per lussuria. Sullo sfondo, Minosse giudica le anime.

","subtitle":"

Jan van der Straet, Dante, Illustrazioni alla Divina Commedia, Firenze, Fratelli Alinari, 1893. McGill Rare Books and Special Collections, elfPQ4329S7 1893

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Dante e Virgilio davanti a Paolo, Francesca e agli altri dannati per lussuria. - Firenze, Biblioteca Medicea Laurenziana, Plut. 40.15, c. 5v.

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Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.

","paragraph":"

Il manoscritto Plut. 40.15 si compone di due parti. Le prime 78 carte membranacee contengono l’Inferno, il Purgatorio e fino al canto V del Paradiso e sono datate al secondo quarto del XIV secolo. Il ricco apparato decorativo è incompiuto e, anche laddove completato, piuttosto danneggiato. Il testo della Commedia è copiato su due colonne, senza commento. Le ultime 28 carte del codice, appartenenti ad un’unità codicologica differente e databili al XIX secolo, contengono la parte restante del Paradiso.

\n

La c. 5v qui riprodotta contiene il testo del canto V dell’Inferno. La miniatura rappresenta Dante e Virgilio che si intrattengono con Paolo e Francesca, mentre gli altri lussuriosi sono trascinati in cielo dalla tempesta infernale.

\n

Sulla c. 6v, l'iniziale istoriata non è stata completata, e è visibile il disegno preparatorio della scena in essa contenuta. Essa segnala l'inizio del canto VI dell'Inferno.

","subtitle":"

Firenze, Biblioteca Medicea Laurenziana, Plut. 40.15, c. 5v-6r

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Arrivati nel secondo cerchio, Dante e Virgilio oltrepassano Minosse e si dirigono verso la bufera che trascina nell’aria i dannati che peccarono di lussuria. Eternamente sballottata dal vento infernale, una coppia di lussuriosi attira l’attenzione di Dante. Sono Francesca da Rimini e Paolo Malatesta.

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PASSO DELLA COMMEDIA: Inf. 5, 100-108

","lines":[{"__typename":"quote_default_BlockType","id":"40123","text":"«Amor, ch’al cor gentil ratto s’apprende"},{"__typename":"quote_default_BlockType","id":"40124","text":"prese costui de la bella persona"},{"__typename":"quote_default_BlockType","id":"40125","text":"che mi fu tolta; e ’l modo ancor m’offende."},{"__typename":"quote_default_BlockType","id":"40126","text":"Amor, ch’a nullo amato amar perdona,"},{"__typename":"quote_default_BlockType","id":"40127","text":"mi prese del costui piacer sì forte,"},{"__typename":"quote_default_BlockType","id":"40128","text":"che, come vedi, ancor non m’abbandona."},{"__typename":"quote_default_BlockType","id":"40129","text":"Amor condusse noi ad una morte:"},{"__typename":"quote_default_BlockType","id":"40130","text":"Caina attende chi a vita ci spense»."},{"__typename":"quote_default_BlockType","id":"40131","text":"Queste parole da lor ci fuor porte."}],"typeHandle":"quote"},{"__typename":"module_textCard_Entry","card":[{"__typename":"card_image_Entry","id":"24035","image":[{"__typename":"assets_Asset","height":1351,"placeholder":"data:image/png;base64,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","title":"01 i08 Ude M PQ4382 C37 1584 p 24 v merged layers","url":"https://cms.divinalingua.it/uploads/1Enfer/1-de-4/5Cercle-II/01_i08_UdeM_PQ4382C37_1584_p_24_v_merged-layers.jpg","width":1920}],"legend":"

Passo del quinto canto dell’Inferno\nutilizzato da Alessandro Cariero per mostrare la compassione di Dante per i dannati, in questo caso Paolo e Francesca. - Apologia di Mons. Alessandro Cariero padovano contra le imputationi del Sig. Belissario Bulgarini sanese. Palinodia del medesimo Cariero, nella quale si dimostra l'eccellenza del poema di Dante, Padova, Paolo Meietto, 1584, p. 24v-25r. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Collection générale, PQ 4382 C37 1584.

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Alessandro Cariero fu un letterato padovano vissuto nella seconda metà del XVI seolo. Dopo aver composto il Breve et ingenioso discorso contra l'opera di Dante, Cariero fu accusato di plagio da Bellisario Bulgarini e decise di scrivere una difesa della Commedia\nper dimostrare la sua capacità a formulare delle idee originali. Bulgarini, a sua volta, attaccò la difesa di Cariero in un volume del 1588. L’opera di Cariero qui presentata è dedicata a Luigi d’Este, cardinale e membro di una delle più importanti famiglie dell’Italia settentrionale.

\n

Nel passo della Commedia citato da Cariero, Dante sviene per l’emozione suscitata in lui dal tragico racconto dell’amore tra Paolo e Francesca.

","subtitle":"

Apologia di Mons. Alessandro Cariero padovano contra le imputationi del Sig. Belissario Bulgarini sanese. Palinodia del medesimo Cariero, nella quale si dimostra l'eccellenza del poema di Dante, Padova, Paolo Meietto, 1584, p. 24v-25r. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Collection générale, PQ 4382 C37 1584

","title":"Passo del quinto canto dell’Inferno citato da Alessandro Cariero","url":"https://divinalingua.it/it/blog/pq4382c371584-it"}]}],"id":"24141","introduction":null,"reverse":true,"subtitle":null,"text":null,"title":"\n

Dante si rivolge a Paolo e Francesca per conoscere la loro storia. Francesca racconta allora dell’amore per Paolo, ineluttabile; riferisce della fine tragica del loro amore, quando, scoperti dal marito di lei, i due amanti furono uccisi; rievoca il giorno del primo bacio d’amore. Paolo ascolta, in lacrime. Commosso dalla loro storia, Dante si sente venir meno, e sviene.

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PASSO DELLA COMMEDIA: Inf. 5, 127-138

","lines":[{"__typename":"quote_default_BlockType","id":"33194","text":"«Noi leggiavamo un giorno per diletto"},{"__typename":"quote_default_BlockType","id":"33195","text":"di Lancialotto come amor lo strinse;"},{"__typename":"quote_default_BlockType","id":"33196","text":"soli eravamo e sanza alcun sospetto."},{"__typename":"quote_default_BlockType","id":"33197","text":"Per più fiate li occhi ci sospinse"},{"__typename":"quote_default_BlockType","id":"33198","text":"quella lettura, e scolorocci il viso;"},{"__typename":"quote_default_BlockType","id":"33199","text":"ma solo un punto fu quel che ci vinse."},{"__typename":"quote_default_BlockType","id":"33200","text":"Quando leggemmo il disiato riso"},{"__typename":"quote_default_BlockType","id":"33201","text":"esser basciato da cotanto amante,"},{"__typename":"quote_default_BlockType","id":"33202","text":"questi, che mai da me non fia diviso, 135"},{"__typename":"quote_default_BlockType","id":"33203","text":"la bocca mi basciò tutto tremante."},{"__typename":"quote_default_BlockType","id":"33204","text":"Galeotto fu ’l libro e chi lo scrisse:"},{"__typename":"quote_default_BlockType","id":"33205","text":"quel giorno più non vi leggemmo avante»."}],"typeHandle":"quote"},{"__typename":"module_image_Entry","card":[{"__typename":"card_image_Entry","id":"24085","image":[{"__typename":"assets_Asset","height":1315,"placeholder":"data:image/png;base64,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","title":"01 07 BNC II I 34 f 22v merged layers","url":"https://cms.divinalingua.it/uploads/1Enfer/1-de-4/5Cercle-II/01_07_BNC_II_I_34_f_22v_merged-layers.jpg","width":1920}],"legend":"\n

Canto V dell’Inferno, con note marginali aggiunte nel XVI secolo. - Firenze, Biblioteca Nazionale Centrale, Fondo nazionale II I 34, cc. 22v-23r.

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Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.

","paragraph":"

Manoscritto membranaceo copiato nel 1457 da Lodovico di Bellaguardia, come riportato nel colophon. Il testo della Commedia è copiato su una colonna e annotato occasionalmente da chiose manoscritte, datate al XVI secolo.

\n

Nella carta qui presentata, una delle chiose spiega la presenza del nome di Galeotto nel testo di Dante: “Era in pregio al tempo di Dante un libro di romanzi detto la Tavola Rotonda nel quale di scriveva l’amore di Lancilotto et di Ginevra moglie del Re Marco [in verità, moglie di re Artù]; Galeotto fu un mezz’omo a congiugnere i loro amorj...”.

","subtitle":"

Firenze, Biblioteca Nazionale Centrale, Fondo nazionale II I 34, cc. 22v-23r

","title":"Canto V dell’Inferno, con note marginali aggiunte nel XVI secolo","url":"https://divinalingua.it/it/blog/fondo-nazionale-ii-i-34-it"}]}],"id":"24156","size":"large","typeHandle":"image"}],"next":{"__typename":"page_chapter_Entry","buttonLabel":"Scendere nel terzo cerchio","id":"2255","shortTitle":"Cerchio III","title":"Terzo Cerchio","uri":"inferno/cerchio-3"},"parent":{"__typename":"page_book_Entry","icon":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/icons/_260x260_crop_center-center_none/icone-enfer.png"}],"id":"1993","theme":"black"},"title":"Secondo Cerchio","typeHandle":"chapter"},"__APOLLO_STATE__":{"header_chapter_BlockType:21340":{"id":"21340","__typename":"header_chapter_BlockType","typeHandle":"chapter","displayTitle":"Lussuriosi","surtitle":"Secondo Cerchio (Inf. 5)","subtitle":null,"backgroundText":"II"},"page_book_Entry:1993":{"id":"1993","__typename":"page_book_Entry","theme":"black","icon":[{"__typename":"assets_Asset","url@transform({\"format\":\"png\",\"height\":260,\"width\":260})":"https://cms.divinalingua.it/uploads/icons/_260x260_crop_center-center_none/icone-enfer.png"}],"uri":"inferno","title":"Livre - Enfer","typeHandle":"book","language":"it","sectionHandle":"page","level":1,"next":{"__ref":"page_chapter_Entry:19897"},"prev":{"__ref":"page_introduction_Entry:8428"},"localized":[{"__typename":"page_book_Entry","language":"fr","uri":"enfer","displayTitle":"Enfer"},{"__typename":"page_book_Entry","language":"en","uri":"hell","displayTitle":"Inferno"}],"parent":null,"children":[{"__ref":"page_chapter_Entry:19897"},{"__ref":"page_chapter_Entry:2040"},{"__ref":"page_chapter_Entry:2251"},{"__ref":"page_chapter_Entry:2255"},{"__ref":"page_chapter_Entry:2259"},{"__ref":"page_chapter_Entry:2262"},{"__ref":"page_chapter_Entry:2043"},{"__ref":"page_chapter_Entry:2269"},{"__ref":"page_chapter_Entry:2019"},{"__ref":"page_chapter_Entry:2045"}],"displayTitle":"Inferno","shortTitle":"Inferno","featuredImage":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/1-de-4/1Porte/_AUTOxAUTO_crop_center-center_none/01_i03_UdeM_PQ4329G53_1813.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,/9j/4AAQSkZJRgABAQEAYABgAAD//gA7Q1JFQVRPUjogZ2QtanBlZyB2MS4wICh1c2luZyBJSkcgSlBFRyB2NjIpLCBxdWFsaXR5ID0gODIK/9sAQwAGBAQFBAQGBQUFBgYGBwkOCQkICAkSDQ0KDhUSFhYVEhQUFxohHBcYHxkUFB0nHR8iIyUlJRYcKSwoJCshJCUk/9sAQwEGBgYJCAkRCQkRJBgUGCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQk/8AAEQgAGwAUAwEiAAIRAQMRAf/EAB8AAAEFAQEBAQEBAAAAAAAAAAABAgMEBQYHCAkKC//EALUQAAIBAwMCBAMFBQQEAAABfQECAwAEEQUSITFBBhNRYQcicRQygZGhCCNCscEVUtHwJDNicoIJChYXGBkaJSYnKCkqNDU2Nzg5OkNERUZHSElKU1RVVldYWVpjZGVmZ2hpanN0dXZ3eHl6g4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4ubrCw8TFxsfIycrS09TV1tfY2drh4uPk5ebn6Onq8fLz9PX29/j5+v/EAB8BAAMBAQEBAQEBAQEAAAAAAAABAgMEBQYHCAkKC//EALURAAIBAgQEAwQHBQQEAAECdwABAgMRBAUhMQYSQVEHYXETIjKBCBRCkaGxwQkjM1LwFWJy0QoWJDThJfEXGBkaJicoKSo1Njc4OTpDREVGR0hJSlNUVVZXWFlaY2RlZmdoaWpzdHV2d3h5eoKDhIWGh4iJipKTlJWWl5iZmqKjpKWmp6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ2uLj5OXm5+jp6vLz9PX29/j5+v/aAAwDAQACEQMRAD8A9sKxXdv90EdARleapXMqI5UQne3yksPapbm6aG4CBso4wEI7hSeO3v8AhVeymUn7KiOQh3By3Puf1rykekyrESS+cLhum72FFOmVWnkPQ7ucmimBpyS27su94vlJOCw4OMf/AFqhikife0bgyDgE9/myfrVmQkxE5xwOnFZouJcp82ckZyM1KGwmsIZH3PMuSO2KKcszuqljk4HYUVRJ/9k=","title":"01 i03 Ude M PQ4329 G53 1813","width":900,"height":1208}],"root":2386},"module_paragraph_Entry:24150":{"id":"24150","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"

Ogni anima dannata affronta il giudizio di Minosse per conoscere il luogo dell’Inferno in cui soffrirà la propria pena. Il mostruoso giudice infernale avvolge la coda su sé stesso: tanti giri quant’è il numero di cerchi che il dannato dovrà scendere, fino ad arrivare a quello in cui risiederà per l'eternità.

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Dante, Virgilio e i lussuriosi. Sullo sfondo, Minosse giudica le anime e assegna a ciascuna il proprio posto in Inferno. - Jan van der Straet, Dante, Illustrazioni alla Divina Commedia, Firenze, Fratelli Alinari, 1893. McGill Rare Books and Special Collections, elfPQ4329S71893.

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Il volume raccoglie alcune illustrazioni della Commedia realizzate dal pittore fiammingo Jan van der Straet (1523-1605), conosciuto anche come Stradano. Il progetto dell’artista di illustrare l’intera opera resta incompiuto ed è in parte conservato nel manoscritto Palatino 75 della Biblioteca Medicea Laurenziana di Firenze. L’impresa dei Fratelli Alinari decide di pubblicare nel 1893 una riproduzione fotografica (in fototipia) dei disegni contenuti nel Palatino 75.

\n

Nell'illustrazione, Dante e Virgilio parlano con Paolo e Francesca, dannati per lussuria. Sullo sfondo, Minosse giudica le anime.

","subtitle":"

Jan van der Straet, Dante, Illustrazioni alla Divina Commedia, Firenze, Fratelli Alinari, 1893. McGill Rare Books and Special Collections, elfPQ4329S7 1893

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Dante e Virgilio davanti a Paolo, Francesca e agli altri dannati per lussuria. - Firenze, Biblioteca Medicea Laurenziana, Plut. 40.15, c. 5v.

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Il manoscritto Plut. 40.15 si compone di due parti. Le prime 78 carte membranacee contengono l’Inferno, il Purgatorio e fino al canto V del Paradiso e sono datate al secondo quarto del XIV secolo. Il ricco apparato decorativo è incompiuto e, anche laddove completato, piuttosto danneggiato. Il testo della Commedia è copiato su due colonne, senza commento. Le ultime 28 carte del codice, appartenenti ad un’unità codicologica differente e databili al XIX secolo, contengono la parte restante del Paradiso.

\n

La c. 5v qui riprodotta contiene il testo del canto V dell’Inferno. La miniatura rappresenta Dante e Virgilio che si intrattengono con Paolo e Francesca, mentre gli altri lussuriosi sono trascinati in cielo dalla tempesta infernale.

\n

Sulla c. 6v, l'iniziale istoriata non è stata completata, e è visibile il disegno preparatorio della scena in essa contenuta. Essa segnala l'inizio del canto VI dell'Inferno.

","subtitle":"

Firenze, Biblioteca Medicea Laurenziana, Plut. 40.15, c. 5v-6r

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Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.

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Arrivati nel secondo cerchio, Dante e Virgilio oltrepassano Minosse e si dirigono verso la bufera che trascina nell’aria i dannati che peccarono di lussuria. Eternamente sballottata dal vento infernale, una coppia di lussuriosi attira l’attenzione di Dante. Sono Francesca da Rimini e Paolo Malatesta.

\n","richSubtitle":null,"introduction":null,"text":null,"reverse":false,"card":[{"__ref":"card_image_Entry:24068"}]},"quote_default_BlockType:40123":{"id":"40123","__typename":"quote_default_BlockType","text":"«Amor, ch’al cor gentil ratto s’apprende"},"quote_default_BlockType:40124":{"id":"40124","__typename":"quote_default_BlockType","text":"prese costui de la bella persona"},"quote_default_BlockType:40125":{"id":"40125","__typename":"quote_default_BlockType","text":"che mi fu tolta; e ’l modo ancor m’offende."},"quote_default_BlockType:40126":{"id":"40126","__typename":"quote_default_BlockType","text":"Amor, ch’a nullo amato amar perdona,"},"quote_default_BlockType:40127":{"id":"40127","__typename":"quote_default_BlockType","text":"mi prese del costui piacer sì forte,"},"quote_default_BlockType:40128":{"id":"40128","__typename":"quote_default_BlockType","text":"che, come vedi, ancor non m’abbandona."},"quote_default_BlockType:40129":{"id":"40129","__typename":"quote_default_BlockType","text":"Amor condusse noi ad una morte:"},"quote_default_BlockType:40130":{"id":"40130","__typename":"quote_default_BlockType","text":"Caina attende chi a vita ci spense»."},"quote_default_BlockType:40131":{"id":"40131","__typename":"quote_default_BlockType","text":"Queste parole da lor ci fuor porte."},"module_quote_Entry:22667":{"id":"22667","__typename":"module_quote_Entry","typeHandle":"quote","legend":"

PASSO DELLA COMMEDIA: Inf. 5, 100-108

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Passo del quinto canto dell’Inferno\nutilizzato da Alessandro Cariero per mostrare la compassione di Dante per i dannati, in questo caso Paolo e Francesca. - Apologia di Mons. Alessandro Cariero padovano contra le imputationi del Sig. Belissario Bulgarini sanese. Palinodia del medesimo Cariero, nella quale si dimostra l'eccellenza del poema di Dante, Padova, Paolo Meietto, 1584, p. 24v-25r. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Collection générale, PQ 4382 C37 1584.

","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/1-de-4/5Cercle-II/01_i08_UdeM_PQ4382C37_1584_p_24_v_merged-layers.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i08 Ude M PQ4382 C37 1584 p 24 v merged layers","width":1920,"height":1351}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Passo del quinto canto dell’Inferno citato da Alessandro Cariero","paragraph":"

Alessandro Cariero fu un letterato padovano vissuto nella seconda metà del XVI seolo. Dopo aver composto il Breve et ingenioso discorso contra l'opera di Dante, Cariero fu accusato di plagio da Bellisario Bulgarini e decise di scrivere una difesa della Commedia\nper dimostrare la sua capacità a formulare delle idee originali. Bulgarini, a sua volta, attaccò la difesa di Cariero in un volume del 1588. L’opera di Cariero qui presentata è dedicata a Luigi d’Este, cardinale e membro di una delle più importanti famiglie dell’Italia settentrionale.

\n

Nel passo della Commedia citato da Cariero, Dante sviene per l’emozione suscitata in lui dal tragico racconto dell’amore tra Paolo e Francesca.

","subtitle":"

Apologia di Mons. Alessandro Cariero padovano contra le imputationi del Sig. Belissario Bulgarini sanese. Palinodia del medesimo Cariero, nella quale si dimostra l'eccellenza del poema di Dante, Padova, Paolo Meietto, 1584, p. 24v-25r. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Collection générale, PQ 4382 C37 1584

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Dante si rivolge a Paolo e Francesca per conoscere la loro storia. Francesca racconta allora dell’amore per Paolo, ineluttabile; riferisce della fine tragica del loro amore, quando, scoperti dal marito di lei, i due amanti furono uccisi; rievoca il giorno del primo bacio d’amore. Paolo ascolta, in lacrime. Commosso dalla loro storia, Dante si sente venir meno, e sviene.

\n","richSubtitle":null,"introduction":null,"text":null,"reverse":true,"card":[{"__ref":"card_image_Entry:24035"}]},"quote_default_BlockType:33194":{"id":"33194","__typename":"quote_default_BlockType","text":"«Noi leggiavamo un giorno per diletto"},"quote_default_BlockType:33195":{"id":"33195","__typename":"quote_default_BlockType","text":"di Lancialotto come amor lo strinse;"},"quote_default_BlockType:33196":{"id":"33196","__typename":"quote_default_BlockType","text":"soli eravamo e sanza alcun sospetto."},"quote_default_BlockType:33197":{"id":"33197","__typename":"quote_default_BlockType","text":"Per più fiate li occhi ci sospinse"},"quote_default_BlockType:33198":{"id":"33198","__typename":"quote_default_BlockType","text":"quella lettura, e scolorocci il viso;"},"quote_default_BlockType:33199":{"id":"33199","__typename":"quote_default_BlockType","text":"ma solo un punto fu quel che ci vinse."},"quote_default_BlockType:33200":{"id":"33200","__typename":"quote_default_BlockType","text":"Quando leggemmo il disiato riso"},"quote_default_BlockType:33201":{"id":"33201","__typename":"quote_default_BlockType","text":"esser basciato da cotanto amante,"},"quote_default_BlockType:33202":{"id":"33202","__typename":"quote_default_BlockType","text":"questi, che mai da me non fia diviso, 135"},"quote_default_BlockType:33203":{"id":"33203","__typename":"quote_default_BlockType","text":"la bocca mi basciò tutto tremante."},"quote_default_BlockType:33204":{"id":"33204","__typename":"quote_default_BlockType","text":"Galeotto fu ’l libro e chi lo scrisse:"},"quote_default_BlockType:33205":{"id":"33205","__typename":"quote_default_BlockType","text":"quel giorno più non vi leggemmo avante»."},"module_quote_Entry:23216":{"id":"23216","__typename":"module_quote_Entry","typeHandle":"quote","legend":"

PASSO DELLA COMMEDIA: Inf. 5, 127-138

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Canto V dell’Inferno, con note marginali aggiunte nel XVI secolo. - Firenze, Biblioteca Nazionale Centrale, Fondo nazionale II I 34, cc. 22v-23r.

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Manoscritto membranaceo copiato nel 1457 da Lodovico di Bellaguardia, come riportato nel colophon. Il testo della Commedia è copiato su una colonna e annotato occasionalmente da chiose manoscritte, datate al XVI secolo.

\n

Nella carta qui presentata, una delle chiose spiega la presenza del nome di Galeotto nel testo di Dante: “Era in pregio al tempo di Dante un libro di romanzi detto la Tavola Rotonda nel quale di scriveva l’amore di Lancilotto et di Ginevra moglie del Re Marco [in verità, moglie di re Artù]; Galeotto fu un mezz’omo a congiugnere i loro amorj...”.

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Firenze, Biblioteca Nazionale Centrale, Fondo nazionale II I 34, cc. 22v-23r

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Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.

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