{"pageProps":{"entry":{"__typename":"page_chapter_Entry","header":[{"__typename":"header_chapter_BlockType","backgroundText":"VIII","id":"2062","subtitle":"Malebolge","surtitle":"Ottavo Cerchio (Inf. 18-31)","title":"Fraudolenti","typeHandle":"chapter"}],"id":"2019","modules":[{"__typename":"module_paragraph_Entry","alignment":"center","id":"2072","size":"largest","text":"<p>Le anime dei fraudolenti verso chi non si fida scontano le loro pene nell’ottavo cerchio dell’Inferno, distribuite in <strong>dieci fossati, o bolge</strong>, che lo compongono. <strong>Concentriche e degradanti, le bolge sono separate da pareti di roccia e collegate tra loro da ponti naturali di pietra</strong>. Dante e Virgilio continuano la loro discesa verso il pozzo al centro dell’Inferno, <strong>sede di Lucifero</strong>.</p>","typeHandle":"paragraph"},{"__typename":"module_image_Entry","card":[{"__typename":"card_image_Entry","id":"8360","image":[{"__typename":"assets_Asset","height":2949,"placeholder":"data:image/png;base64,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","title":"01 i14 Mc Gill folio PQ4402 A27t1891 table II 1 2 1920x2949","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i14_McGill_folioPQ4402A27t1891_table-II.1-2_1920x2949.jpg","width":1920}],"legend":"\n<p>Planimetria e sezione dell’ottavo cerchio dell’Inferno, e planimetria del nono. - Giovanni Agnelli, <em>Topo-cronografia del viaggio dantesco</em>, Hoepli, Milan, 1891, t. 2. McGill Rare Books and Special Collections, folioPQ4402A27t1891.</p>\n","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":2949,"placeholder":"data:image/png;base64,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","title":"01 i14 Mc Gill folio PQ4402 A27t1891 table II 1 2 1920x2949","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i14_McGill_folioPQ4402A27t1891_table-II.1-2_1920x2949.jpg","width":1920}],"layout":"vertical","legend":null,"paragraph":"<p>Giovanni Agnelli (1848-1926) è stato un insegnante, bibliotecario a Lodi, storico locale e appassionato di Dante. In questo elegante volume stampato in sole 400 copie, egli indaga la topografia dell’Inferno e del Purgatorio e la cronologia del viaggio dantesco. L’esemplare n. 91, conservato dalla McGill Library, è una donazione di William C. Macdonald, uomo d’affari canadese, filantropo e cancelliere di McGill University dal 1914 fino alla morte, nel 1917.</p>\n<p>Nella tavola sono raffigurate la planimetria e la sezione delle <a href=\"https://www.treccani.it/enciclopedia/malebolge_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Malebolge</a> e la planimetria del nono cerchio.</p>","subtitle":"<p>Giovanni Agnelli, <em>Topo-cronografia del viaggio dantesco</em>, Hoepli, Milan, 1891, t. 2. McGill Rare Books and Special Collections, folioPQ4402A27t1891</p>","title":"L'ottavo e il nono cerchio dell'Inferno","url":"https://divinalingua.it/it/blog/foliopq4402a27t1891-it"}]}],"id":"8358","size":"full","typeHandle":"image"},{"__typename":"module_quote_Entry","id":"2420","legend":"<p>PASSO DELLA COMMEDIA: Inf. 18, 1-6</p>","lines":[{"__typename":"quote_default_BlockType","id":"39673","text":"Luogo è in inferno detto Malebolge,"},{"__typename":"quote_default_BlockType","id":"39674","text":"tutto di pietra di color ferrigno,"},{"__typename":"quote_default_BlockType","id":"39675","text":"come la cerchia che dintorno il volge."},{"__typename":"quote_default_BlockType","id":"39676","text":"Nel dritto mezzo del campo maligno"},{"__typename":"quote_default_BlockType","id":"39677","text":"vaneggia un pozzo assai largo e profondo,"},{"__typename":"quote_default_BlockType","id":"39678","text":"di cui suo loco dicerò l’ordigno."}],"typeHandle":"quote"},{"__typename":"module_header_Entry","backgroundText":"I","centered":true,"id":"2520","subtitle":null,"surtitle":"Prima bolgia (Inf. 18)","title":"Ruffiani e seduttori","typeHandle":"header"},{"__typename":"module_paragraph_Entry","alignment":"left","id":"2531","size":"large","text":"<p>Percorrendo in senso orario la parete esterna della prima bolgia, <strong>Dante osserva in basso due schiere di dannati avanzare nel fossato l’una in senso contrario all’altra</strong>. Le anime dei ruffiani camminano nella fila esterna, più vicina ai due poeti, e quelle dei seduttori in quella interna, entrambe frustate senza sosta dei diavoli.</p>","typeHandle":"paragraph"},{"__typename":"module_geometries_Entry","animationData":"{\"v\":\"5.7.12\",\"fr\":60,\"ip\":0,\"op\":300,\"w\":4800,\"h\":2700,\"nm\":\"02-Coucher-Lune 2\",\"ddd\":0,\"assets\":[],\"layers\":[{\"ddd\":0,\"ind\":1,\"ty\":4,\"nm\":\"Ellipse 58\",\"sr\":1,\"ks\":{\"o\":{\"a\":0,\"k\":100,\"ix\":11},\"r\":{\"a\":0,\"k\":0,\"ix\":10},\"p\":{\"a\":1,\"k\":[{\"i\":{\"x\":0.833,\"y\":0.833},\"o\":{\"x\":0.167,\"y\":0.167},\"t\":0,\"s\":[2401.5,2139,0],\"to\":[0,-66.667,0],\"ti\":[0,66.667,0]},{\"t\":299,\"s\":[2401.5,1739,0]}],\"ix\":2,\"l\":2,\"x\":\"var $bm_rt;\\nfunction easeandwizz_outQuart(t, b, c, d) {\\n    return $bm_sum($bm_mul($bm_neg(c), $bm_sub($bm_mul($bm_mul($bm_mul(t = t / d - 1, t), t), t), 1)), b);\\n}\\nfunction easeAndWizz() {\\n    var t, d, sX, eX;\\n    var n = 0;\\n    if (numKeys > 0) {\\n        n = nearestKey(time).index;\\n        if (key(n).time > time) {\\n            n--;\\n        }\\n    }\\n    try {\\n        var key1 = key(n);\\n        var key2 = key($bm_sum(n, 1));\\n    } catch (e) {\\n        return null;\\n    }\\n    t = $bm_sub(time, key1.time);\\n    d = $bm_sub(key2.time, key1.time);\\n    sX = key1.time;\\n    eX = $bm_sub(key2.time, key1.time);\\n    if (time < key1.time || time > key2.time) {\\n        return null;\\n    } else {\\n        return valueAtTime(easeandwizz_outQuart(t, sX, eX, d));\\n    }\\n}\\n$bm_rt = easeAndWizz() || value;\"},\"a\":{\"a\":0,\"k\":[0,0,0],\"ix\":1,\"l\":2},\"s\":{\"a\":0,\"k\":[100,100,100],\"ix\":6,\"l\":2}},\"ao\":0,\"shapes\":[{\"ty\":\"gr\",\"it\":[{\"ind\":0,\"ty\":\"sh\",\"ix\":1,\"ks\":{\"a\":0,\"k\":{\"i\":[[0,0],[-457.568,0],[0,-335.789]],\"o\":[[0,-335.789],[457.568,0],[0,0]],\"v\":[[-828.5,304],[0,-304],[828.5,304]],\"c\":false},\"ix\":2},\"nm\":\"Path 1\",\"mn\":\"ADBE Vector Shape - 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Enfer - 3/4 - Cercle 8 - Première bolge : Proxénètes et séducteurs - Animation À CHANGER","typeHandle":"geometries"},{"__typename":"module_text_Entry","id":"8478","text":"<p>I due viandanti raggiungono un ponte di roccia che sovrasta la bolgia e, da questo punto di vista privilegiato, Virgilio indica a Dante un seduttore che avanza con portamento regale. È Giasone, mitico eroe greco che sedusse e abbandonò Ipsipile e Medea.</p>","typeHandle":"text"},{"__typename":"module_quote_Entry","id":"2681","legend":"<p>PASSO DELLA COMMEDIA : Inf. 18, 82-87</p>","lines":[{"__typename":"quote_default_BlockType","id":"2694","text":"E ’l buon maestro, sanza mia dimanda,"},{"__typename":"quote_default_BlockType","id":"2695","text":"mi disse: «Guarda quel grande che vene,"},{"__typename":"quote_default_BlockType","id":"2696","text":"e per dolor non par lagrime spanda:"},{"__typename":"quote_default_BlockType","id":"2697","text":"quanto aspetto reale ancor ritene!"},{"__typename":"quote_default_BlockType","id":"2698","text":"Quelli è Iasón, che per cuore e per senno"},{"__typename":"quote_default_BlockType","id":"2699","text":"li Colchi del monton privati féne."}],"typeHandle":"quote"},{"__typename":"module_header_Entry","backgroundText":"II","centered":true,"id":"2542","subtitle":null,"surtitle":"Seconda bolgia (Inf. 18)","title":"Adulatori","typeHandle":"header"},{"__typename":"module_paragraph_Entry","alignment":"left","id":"2552","size":"large","text":"<p>Oltrepassato il primo ponte, <strong>Dante e Virgilio vengono raggiunti dal puzzo immondo e dai gemiti della seconda bolgia</strong>. Per meglio osservare i dannati nascosti dall’oscurità del fosso, i viandanti attraversano il secondo ponte.</p>","typeHandle":"paragraph"},{"__typename":"module_textCard_Entry","card":[{"__typename":"card_image_Entry","id":"2871","image":[{"__typename":"assets_Asset","height":1138,"placeholder":"data:image/png;base64,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","title":"01 i15 Ude M Pa Z PQ 4315 2 F56 1868 Planche 43","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i15_UdeM_PaZ_PQ-4315.2_F56_1868_Planche_43.jpg","width":900}],"legend":"<p>Dante e Virgilio osservano gli adulatori (illustrazione di Gustave Doré). - Dante Alighieri, <em>L’Enfer</em>, Paris, Hachette, 1868, t. 43. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Bibliothèque Léo-Pariseau, PQ43152F561868.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":2047,"placeholder":"data:image/png;base64,/9j/4AAQSkZJRgABAQEAYABgAAD//gA7Q1JFQVRPUjogZ2QtanBlZyB2MS4wICh1c2luZyBJSkcgSlBFRyB2NjIpLCBxdWFsaXR5ID0gODIK/9sAQwAGBAQFBAQGBQUFBgYGBwkOCQkICAkSDQ0KDhUSFhYVEhQUFxohHBcYHxkUFB0nHR8iIyUlJRYcKSwoJCshJCUk/9sAQwEGBgYJCAkRCQkRJBgUGCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQk/8AAEQgAGgAUAwEiAAIRAQMRAf/EAB8AAAEFAQEBAQEBAAAAAAAAAAABAgMEBQYHCAkKC//EALUQAAIBAwMCBAMFBQQEAAABfQECAwAEEQUSITFBBhNRYQcicRQygZGhCCNCscEVUtHwJDNicoIJChYXGBkaJSYnKCkqNDU2Nzg5OkNERUZHSElKU1RVVldYWVpjZGVmZ2hpanN0dXZ3eHl6g4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4ubrCw8TFxsfIycrS09TV1tfY2drh4uPk5ebn6Onq8fLz9PX29/j5+v/EAB8BAAMBAQEBAQEBAQEAAAAAAAABAgMEBQYHCAkKC//EALURAAIBAgQEAwQHBQQEAAECdwABAgMRBAUhMQYSQVEHYXETIjKBCBRCkaGxwQkjM1LwFWJy0QoWJDThJfEXGBkaJicoKSo1Njc4OTpDREVGR0hJSlNUVVZXWFlaY2RlZmdoaWpzdHV2d3h5eoKDhIWGh4iJipKTlJWWl5iZmqKjpKWmp6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ2uLj5OXm5+jp6vLz9PX29/j5+v/aAAwDAQACEQMRAD8A5W28WeJdQFxu8S6rH5KtKXa8lyQOwwfeuZufiB4vh1GSKLxPrPl8Nta9lJ/A54qlb6jIQHF5KgblmDYJznis24cyXTXK4Yc8nPPzH+mKySNGz6X+AWtanr3hC+udWvrm9mTUZI0knkZ2CeVEQMntkn86Krfs3Os3gjUHxjOqSf8AoqKisJbmsdjwm30b7FBLCu+R1ZCefvgZHy47YbkZH1q7D4a/s+BJzcR+XtINukwz2654/Gvqy58KeHmYs2haUWJ5JtI8/wAqhj8K6BjH9h6Xj/r1j/wq+YnlOO+AiCLwTMAUbdfSElRgE7EH9KK7+3srXT4/Js7aG2iznZCgRc+uBRWbepolof/Z","title":"01 i15 Ude M Pa Z PQ 4315 2 F56 1868 Planche 43 1619x2047","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i15_UdeM_PaZ_PQ-4315.2_F56_1868_Planche_43_1619x2047.jpg","width":1619}],"layout":"horizontal","legend":null,"paragraph":"<p>Edizione bilingue italiano-francese dell’<em>Inferno</em>, con la traduzione di Pier Angelo Fiorentini e le illustrazioni di Gustave Doré. Il volume, di grandi dimensioni, faceva parte della biblioteca personale di Léo Pariseau (1882-1944), bibliofilo e professore di radiologia alla facoltà di medicina dell’Université de Montréal e capo del Service d'électroradiologie de l'Hôtel-Dieu a Montreal.</p>\n<p>L'illustrazione rappresenta Dante e Virgilio chini verso il fondo della bolgia, mentre osservano le anime dannate degli <a href=\"https://www.treccani.it/enciclopedia/lusingatori_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">adulatori</a>.</p>","subtitle":"<p>Dante Alighieri, <em>L’Enfer</em>, Paris, Hachette, 1868, t. 43. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Bibliothèque Léo-Pariseau. PQ43152F561868.</p>","title":"Dante e Virgilio osservano gli adulatori","url":"https://divinalingua.it/it/blogue/pq43152f561868-it"}]}],"id":"2881","introduction":null,"reverse":false,"subtitle":"\n<p><br /></p>\n","text":null,"title":"<p>Essi intravedono gli adulatori scontare la loro pena immersi nello sterco. Dante riconosce un lucchese suo coetaneo, Alessio Interminelli.</p>","typeHandle":"textCard"},{"__typename":"module_quote_Entry","id":"2890","legend":"<p>PASSO DELLA COMMEDIA : Inf. 18, 112-117.</p>","lines":[{"__typename":"quote_default_BlockType","id":"40821","text":"Quivi venimmo; e quindi giù nel fosso"},{"__typename":"quote_default_BlockType","id":"40822","text":"vidi gente attuffata in uno sterco"},{"__typename":"quote_default_BlockType","id":"40823","text":"che da li uman privadi parea mosso."},{"__typename":"quote_default_BlockType","id":"40824","text":"E mentre ch’io là giù con l’occhio cerco,"},{"__typename":"quote_default_BlockType","id":"40825","text":"vidi un col capo sì di merda lordo,"},{"__typename":"quote_default_BlockType","id":"40826","text":"che non parea s’era laico o cherco."}],"typeHandle":"quote"},{"__typename":"module_header_Entry","backgroundText":"III","centered":false,"id":"2625","subtitle":null,"surtitle":"Terza bolgia (Inf. 19)","title":"Simoniaci","typeHandle":"header"},{"__typename":"module_paragraph_Entry","alignment":"right","id":"2646","size":"large","text":"\n<p>Commette peccato di simonia chi fa commercio delle realtà spirituali e delle cariche ecclesiastiche, traendone profitti. <strong>Sul fondo della terza bolgia, I dannati per simonia sono piantati a testa in giù nelle fenditure della roccia, con i piedi arsi dal fuoco</strong>. </p>\n","typeHandle":"paragraph"},{"__typename":"module_paragraph_Entry","alignment":"left","id":"2650","size":"large","text":"<p>Attraversato il secondo ponte e attraversando il terzo, Dante e Virgilio osservano le gambe dei simoniaci spuntare dal suolo. <strong>Due fiamme che bruciano più intense delle altre attirano l’attenzione di Dante, che chiede a Virgilio di poter scendere sul fondo della bolgia</strong>.</p>","typeHandle":"paragraph"},{"__typename":"module_image_Entry","card":[{"__typename":"card_image_Entry","id":"2654","image":[{"__typename":"assets_Asset","height":1541,"placeholder":"data:image/png;base64,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","title":"01 i17 Mc Gill folio Colgate6 N663 D361928 p 58bis merged","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i17_McGill_folioColgate6N663D361928_p_58bis_merged.jpg","width":1920}],"legend":"<p>Dante e Virgilio scendono nella bolgia dei simoniaci (riproduzione di un disegno di Sandro Botticelli). - <em>La Divina Commedia or The Divine Vision of Dante Alighieri in Italian and English</em>, London, The Nonesuch Press, 1928, t. 5. McGill Rare Books and Special Collections, folio Colgate 6 N663 D36 1928.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":1541,"placeholder":"data:image/png;base64,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","title":"01 i17 Mc Gill folio Colgate6 N663 D361928 p 58bis merged","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i17_McGill_folioColgate6N663D361928_p_58bis_merged.jpg","width":1920}],"layout":"horizontal","legend":null,"paragraph":"<p>Questa edizione della <em>Commedia</em> affianca il testo italiano alla traduzione inglese in versi liberi di Herny Francis Cary, senza commento. Le 42 illustrazioni che arricchiscono il volume riproducono delle parti dei disegni del pittore rinascimentale Sandro Botticelli. Delle 1475 copie di quest’edizione limitata, McGill University conserva la n. 1141. Stando all’ex libris, il volume è appartenuto a Howard Murray (1859-1930), <em>professor of classics</em> et decano della Dalhousie University di Halifax.</p>\n<p>Nella riproduzione del disegno di Botticelli, Dante e Virgilio scendono nella bolgia dei <a href=\"https://www.treccani.it/enciclopedia/simonia-e-simoniaci_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">simoniaci</a>, per poter parlare con papa <a href=\"https://www.treccani.it/enciclopedia/niccolo-iii_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Niccolò III</a>.</p>","subtitle":"<p>Riproduzione di un disegno di Sandro Botticelli. - <em>La Divina Commedia or The Divine Vision of Dante Alighieri in Italian and English</em>, London, The Nonesuch Press, 1928, t. 5. McGill Rare Books and Special Collections, folio Colgate 6 N663 D36 1928</p>","title":"Dante e Virgilio scendono nella bolgia dei simoniaci","url":"https://divinalingua.it/it/blog/foliocolgate6n663d361928-it"}]}],"id":"2658","size":"full","typeHandle":"image"},{"__typename":"module_textCard_Entry","card":[{"__typename":"card_image_Entry","id":"9057","image":[{"__typename":"assets_Asset","height":1604,"placeholder":"data:image/png;base64,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","title":"01 i16 Ude M PERREAULT 2008 p 13","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i16_UdeM_PERREAULT_2008_p_13.jpg","width":1000}],"legend":"<p>Argomento e inizio del canto XIX dell’<em>Inferno</em>, con apostrofe al mago biblico Simone. - Dante Alighieri, <em>L’Enfer</em>, tradotto da Rivarol<em>, </em>Paris, Librairie de la Bibliothèque nationale, 1875, vol. 2, p. 13. Université de Montréal, Bibliothèque des livres rares et collections spéciales, collection Joseph-Édouard-Perrault, PERRAULT 2008.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":1604,"placeholder":"data:image/png;base64,/9j/4AAQSkZJRgABAQEAYABgAAD//gA7Q1JFQVRPUjogZ2QtanBlZyB2MS4wICh1c2luZyBJSkcgSlBFRyB2NjIpLCBxdWFsaXR5ID0gODIK/9sAQwAGBAQFBAQGBQUFBgYGBwkOCQkICAkSDQ0KDhUSFhYVEhQUFxohHBcYHxkUFB0nHR8iIyUlJRYcKSwoJCshJCUk/9sAQwEGBgYJCAkRCQkRJBgUGCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQk/8AAEQgAIQAUAwEiAAIRAQMRAf/EAB8AAAEFAQEBAQEBAAAAAAAAAAABAgMEBQYHCAkKC//EALUQAAIBAwMCBAMFBQQEAAABfQECAwAEEQUSITFBBhNRYQcicRQygZGhCCNCscEVUtHwJDNicoIJChYXGBkaJSYnKCkqNDU2Nzg5OkNERUZHSElKU1RVVldYWVpjZGVmZ2hpanN0dXZ3eHl6g4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4ubrCw8TFxsfIycrS09TV1tfY2drh4uPk5ebn6Onq8fLz9PX29/j5+v/EAB8BAAMBAQEBAQEBAQEAAAAAAAABAgMEBQYHCAkKC//EALURAAIBAgQEAwQHBQQEAAECdwABAgMRBAUhMQYSQVEHYXETIjKBCBRCkaGxwQkjM1LwFWJy0QoWJDThJfEXGBkaJicoKSo1Njc4OTpDREVGR0hJSlNUVVZXWFlaY2RlZmdoaWpzdHV2d3h5eoKDhIWGh4iJipKTlJWWl5iZmqKjpKWmp6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ2uLj5OXm5+jp6vLz9PX29/j5+v/aAAwDAQACEQMRAD8A7Oy8PqIQsYQEeozV6DRwRucJt5GChBz+J6VHDBbLNJKLOFmZzwxPJzz361aaCKVM/wBnQPjvtYjPPv8Aj+NeNY9XmK8nhuwmbeYUJPtRWlZqq2sY8sR4B+QAjHJ9aKzbNVsUZwVkm3Nvy5BPsDz9f/rVDKIiS0jMGByQE4x19amlFyZHK2s5IZmG2M+p/p/P3qncx3RyPsl0Rjn92euPpz/n8Nlsc73NTTwBZRbWZgcnJGM/MaKTTyyWcSyKyON2VYYI+Y+tFYPc6FsbUfSmydDRRVdCepmT/wCsNFFFIZ//2Q==","title":"01 i16 Ude M PERREAULT 2008 p 13","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i16_UdeM_PERREAULT_2008_p_13.jpg","width":1000}],"layout":"vertical","legend":null,"paragraph":"<p>L’opera qui presentata è la prima edizione della traduzione in prosa francese dell’<em>Inferno</em>\ndi Antoine Rivaroli, detto Rivarol, uscita in due volumi nel 1785. La copia da cui è estratta questa pagina proviene dalla biblioteca personale di Joseph-Édouard Perreault (1874-1948), deputato e ministro del Québec. Con sua moglie Madeleine Richard (188-1975), i due formavano una coppia di bibliofili appassionati alle edizioni di lusso.</p>","subtitle":"<p>Dante Alighieri, <em>L’Enfer</em>, tradotto da Rivarol<em>, </em>Paris, Librairie de la Bibliothèque nationale, 1875, vol. 2, p. 13. Université de Montréal, Bibliothèque des livres rares et collections spéciales, collection Joseph-Édouard-Perrault, PERRAULT 2008</p>","title":"Argomento e inizio del canto XIX dell’Inferno","url":"https://divinalingua.it/it/blog/perrault-2008-it"}]}],"id":"3004","introduction":"<p>Essi si avvicinano ai piedi di papa Niccolò III, che si palesa ai due viandanti e, in un gioco di equivoci, vaticina il prossimo arrivo di due suoi successori, i papi Bonifacio VIII e Clemente V. Una volta morti e dannati, essi prenderanno il posto di Niccolò, sospingendolo più a fondo nella roccia. Prima di risalire la parete della bolgia, Dante non sa trattenere un’invettiva contro i papi simoniaci e la degenerazione della Chiesa di Roma.</p>","reverse":false,"subtitle":null,"text":"<p>La sua condizione di anima dell’Aldilà permette a Niccolò III di conoscere fatti ed eventi futuri. Egli sa perciò della prossima dannazione di Bonifacio VIII e Clemente V, suoi successori tanto sul trono papale quanto nella fenditura della terza bolgia. Il primo, al secolo Benedetto Caetani, papa tra 1294 e 1303, è grande avversario del re di Francia Filippo il Bello e nemico politico di Dante, responsabile tra l’altro della cacciata dei Guelfi bianchi da Firenze. Il secondo, al secolo Bertrand de Got, pontefice dal 1305 al 1314, trasferirà la residenza papale da Roma ad Avignone e, da filofrancese e con l’appoggio dal re Filippo, darà inizio ai settant’anni di cattività avignonese. Nonostante il viaggio della <strong>Commedia</strong> abbia luogo nel 1300, quindi prima della morte di Bonifacio e Clemente, Dante non rinuncia a trovar loro un posto in Inferno.</p>","title":null,"typeHandle":"textCard"},{"__typename":"module_quote_Entry","id":"3083","legend":"<p>PASSO DELLA COMMEDIA: Inf. 19, 22-29</p>","lines":[{"__typename":"quote_default_BlockType","id":"40771","text":"Fuor de la bocca a ciascun soperchiava"},{"__typename":"quote_default_BlockType","id":"40772","text":"d’un peccator li piedi e de le gambe"},{"__typename":"quote_default_BlockType","id":"40773","text":"infino al grosso, e l’altro dentro stava."},{"__typename":"quote_default_BlockType","id":"40774","text":"Le piante erano a tutti accese intrambe;"},{"__typename":"quote_default_BlockType","id":"40775","text":"per che sì forte guizzavan le giunte,"},{"__typename":"quote_default_BlockType","id":"40776","text":"che spezzate averien ritorte e strambe."}],"typeHandle":"quote"},{"__typename":"module_header_Entry","backgroundText":"IV","centered":true,"id":"3079","subtitle":null,"surtitle":"Quarta bolgia (Inf. 20)","title":"Maghi e indovini","typeHandle":"header"},{"__typename":"module_paragraph_Entry","alignment":"left","id":"3764","size":"large","text":"<p>Salito sul ponte seguente, Dante osserva il lamentoso e goffo incedere dei dannati della quarta bolgia, i maghi e gli indovini. Come in vita essi hanno voluto veder troppo avanti nel futuro, così <strong>ora hanno il collo torto e procedono all’indietro, con il viso girato verso le reni</strong>. La vista dei dannati sconvolge Dante, che unisce le sue lacrime pietose a quelle miserevoli delle anime. Virgilio lo riprende – ché non è razionale la pietà verso chi è stato dannato – e gli indica alcune anime. La presenza della maga Manto tra di esse offre a Virgilio lo spunto per evocare le origini mitiche della propria città, Mantova.</p>","typeHandle":"paragraph"},{"__typename":"module_quote_Entry","id":"3768","legend":"<p>PASSO DELLA COMMEDIA: Inf. 20, 40-45</p>","lines":[{"__typename":"quote_default_BlockType","id":"3781","text":"«Vedi Tiresia, che mutò sembiante"},{"__typename":"quote_default_BlockType","id":"3782","text":"quando di maschio femmina divenne"},{"__typename":"quote_default_BlockType","id":"3783","text":"cangiandosi le membra tutte quante;"},{"__typename":"quote_default_BlockType","id":"3784","text":"e prima, poi, ribatter li convenne"},{"__typename":"quote_default_BlockType","id":"3785","text":"li duo serpenti avvolti, con la verga,"},{"__typename":"quote_default_BlockType","id":"3786","text":"che riavesse le maschili penne»."}],"typeHandle":"quote"},{"__typename":"module_image_Entry","card":[{"__typename":"card_image_Entry","id":"9033","image":[{"__typename":"assets_Asset","height":1288,"placeholder":"data:image/png;base64,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","title":"01 14 BN XIII C 4 f 10 r 11 v","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_14_BN_XIII_C_4_f_10_r_11_v.jpg","width":1920}],"legend":"<p>Nel margine inferiore delle due carte, Dante e Virgilio sono davanti ai maghi e agli indovini. - Napoli, Biblioteca Nazionale “Vittorio Emanuele III”, XIII.C.4, cc. 10v-11r.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":1288,"placeholder":"data:image/png;base64,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","title":"01 14 BN XIII C 4 f 10 r 11 v","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_14_BN_XIII_C_4_f_10_r_11_v.jpg","width":1920}],"layout":"horizontal","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","paragraph":"<p>Il manoscritto XIII.C.4, pergamenaceo, è datato al terzo quarto del XIV secolo. Il codice è mutilo e non contiene che alcune parti delle tre cantiche. Il testo della <em>Commedia </em>è copiato su una colonna e decorato con iniziali miniate e filigranate. Due artisti diversi realizzano i 76 disegni a penna che occupano i margini delle carte.</p>\n<p>Sulla carta di sinistra, Dante e Virgilio parlano con <a href=\"https://www.treccani.it/enciclopedia/tiresia_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Tiresia</a>; in quello di destra con la maga <a href=\"https://www.treccani.it/enciclopedia/manto_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Manto</a>.<br /></p>","subtitle":"<p>Napoli, Biblioteca Nazionale “Vittorio Emanuele III”, XIII.C.4, cc. 10v-11r</p>","title":"Dante e Virgilio sono davanti ai maghi e agli indovini","url":"https://divinalingua.it/it/blog/xiii-c-4-it"}]}],"id":"9030","size":"large","typeHandle":"image"},{"__typename":"module_textAnimation_Entry","animationData":"{\"v\":\"5.7.12\",\"fr\":60,\"ip\":0,\"op\":300,\"w\":4800,\"h\":2700,\"nm\":\"02-Coucher-Lune 2\",\"ddd\":0,\"assets\":[],\"layers\":[{\"ddd\":0,\"ind\":1,\"ty\":4,\"nm\":\"Ellipse 58\",\"sr\":1,\"ks\":{\"o\":{\"a\":0,\"k\":100,\"ix\":11},\"r\":{\"a\":0,\"k\":0,\"ix\":10},\"p\":{\"a\":1,\"k\":[{\"i\":{\"x\":0.833,\"y\":0.833},\"o\":{\"x\":0.167,\"y\":0.167},\"t\":0,\"s\":[2401.5,2139,0],\"to\":[0,-66.667,0],\"ti\":[0,66.667,0]},{\"t\":299,\"s\":[2401.5,1739,0]}],\"ix\":2,\"l\":2,\"x\":\"var $bm_rt;\\nfunction easeandwizz_outQuart(t, b, c, d) {\\n    return $bm_sum($bm_mul($bm_neg(c), $bm_sub($bm_mul($bm_mul($bm_mul(t = t / d - 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Una palude nera di pece bollente ricopre il fondo della quinta bolgia, nascondendo le anime dei barattieri. Un gruppo di diavoli, i Malebranche, li sorveglia dall’alto pronto a uncinarli e percuoterli.</p>","typeHandle":"paragraph"},{"__typename":"module_text_Entry","id":"4962","text":"\n<p>Dopo aver parlato con un dannato, Dante e Virgilio si accorgono di non poter raggiungere la bolgia successiva: il sesto ponte è distrutto, abbattuto dal terremoto che si scatenò nel momento della morte di Cristo 1266 anni prima. Così li informa Malacoda, il capo dei Malebranche. Dante ha il tempo di interrogare un barattiere che i diavoli hanno arpionato, il navarrese Ciampolo, prima di allontanarsi alla ricerca di un modo per continuare il viaggio. Mentre i due viandanti percorrono l’argine roccioso ragionando sul da farsi, i diavoli cominciano a inseguirli e incalzarli. Virgilio afferra un terrorizzato Dante e si precipita giù per la parete della sesta bolgia.</p>\n","typeHandle":"text"},{"__typename":"module_quote_Entry","id":"4075","legend":"<p>PASSO DELLA COMMEDIA: Inf. 21, 136-139</p>","lines":[{"__typename":"quote_default_BlockType","id":"41147","text":"Per l’argine sinistro volta dienno;"},{"__typename":"quote_default_BlockType","id":"41148","text":"ma prima avea ciascun la lingua stretta"},{"__typename":"quote_default_BlockType","id":"41149","text":"coi denti, verso lor duca, per cenno;"},{"__typename":"quote_default_BlockType","id":"41150","text":"ed elli avea del cul fatto trombetta."}],"typeHandle":"quote"},{"__typename":"module_textCard_Entry","card":[{"__typename":"card_image_Entry","id":"4179","image":[{"__typename":"assets_Asset","height":629,"placeholder":"data:image/png;base64,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","title":"01 15 BNC Palatino 313 f 51v","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_15_BNC_Palatino_313_f_51v.jpg","width":900}],"legend":"<p>La miniatura alla fine del canto XX dell’<em>Inferno</em> mostra Virgilio e Dante davanti ai diavoli di Malebranche, uno dei quali fa del cul trombetta. - Firenze, Biblioteca Nazionale Centrale, Palatino 313, c. 51v.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":1407,"placeholder":"data:image/png;base64,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","title":"01 15 BNC Palatino 313 f 51v merged layers","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_15_BNC_Palatino_313_f_51v_merged-layers.jpg","width":1920}],"layout":"horizontal","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","paragraph":"<p>Prodotto nel secondo quarto del XIV secolo, il Palatino 313 è il più antico manoscritto miniato della <em>Commedia </em>arrivato fino a noi. Il testo delle tre cantiche è copiato su due colonne e incorniciato dal commento di Jacopo Alighieri, figlio di Dante. Lo spazio delle colonne richiede due righe per la trascrizione della maggior parte dei versi, secondo un’impaginazione che non avrà tradizione successiva. Le 37 miniature che decorano il codice sono attribuite al fiorentino Pacino da Bonaguida. Il manoscritto è passato per le mani di Piero del Nero, letterato e politico fiorentino del XVI secolo, e di Gaetano Poggiali, che lo ha usato come punto di partenza per la sua edizione della <em>Commedia </em>pubblicata all’inizio del XIX secolo.</p>","subtitle":"<p>Firenze, Biblioteca Nazionale Centrale, Palatino 313, cc. 51v-52r</p>","title":"Virgilio e Dante davanti ai diavoli di Malebranche","url":"https://divinalingua.it/it/blog/palatino-313-it"}]}],"id":"4183","introduction":null,"reverse":false,"subtitle":null,"text":"<p>Con Malacoda, Farfarello, Alichino, Barbariccia, Libicocco, Cagnazzo, Rubicante, Calcabrina e Draghignazzo, nella quinta bolgia Dante mette in scena una vera e propria “commedia dei diavoli”. Se da una parte la truppa dei Malebranche cerca di raggirare Dante e Virgilio, mandandoli alla ricerca di altri ponti in realtà distrutti, dall’altra parte sono gli stessi diavoli ad essere beffati da Ciampolo, che con astuzia si sottrae alle loro vessazioni facendone finire due nella pece bollente. Per quanto Dante si preoccupi di mostrare la loro crudeltà e il loro carattere violento, i diavoli restano vittime grottesche della loro mediocrità scurrile e laida fatta di pernacchie e peti.</p>","title":null,"typeHandle":"textCard"},{"__typename":"module_quote_Entry","id":"4114","legend":"<p>PASSO DELLA COMMEDIA: Inf. 22, 139-144.</p>","lines":[{"__typename":"quote_default_BlockType","id":"39889","text":"Ma l’altro fu bene sparvier grifagno"},{"__typename":"quote_default_BlockType","id":"39890","text":"ad artigliar ben lui, e amendue"},{"__typename":"quote_default_BlockType","id":"39891","text":"cadder nel mezzo del bogliente stagno."},{"__typename":"quote_default_BlockType","id":"39892","text":"Lo caldo sghermitor sùbito fue;"},{"__typename":"quote_default_BlockType","id":"39893","text":"ma però di levarsi era neente,"},{"__typename":"quote_default_BlockType","id":"39894","text":"sì avieno inviscate l’ali sue."}],"typeHandle":"quote"},{"__typename":"module_geometries_Entry","animationData":"{\"v\":\"5.7.12\",\"fr\":60,\"ip\":0,\"op\":300,\"w\":4800,\"h\":2700,\"nm\":\"Moulin\",\"ddd\":0,\"assets\":[],\"layers\":[{\"ddd\":0,\"ind\":1,\"ty\":4,\"nm\":\"Union\",\"sr\":1,\"ks\":{\"o\":{\"a\":0,\"k\":100,\"ix\":11},\"r\":{\"a\":1,\"k\":[{\"i\":{\"x\":[0.833],\"y\":[0.833]},\"o\":{\"x\":[0.167],\"y\":[0.167]},\"t\":0,\"s\":[0]},{\"t\":299,\"s\":[360]}],\"ix\":10,\"x\":\"var $bm_rt;\\nfunction easeandwizz_inoutQuad(t, b, c, d) {\\n    if ((t /= d / 2) < 1)\\n        return $bm_sum($bm_mul($bm_mul($bm_div(c, 2), t), t), b);\\n    return $bm_sum($bm_mul($bm_div($bm_neg(c), 2), $bm_sub($bm_mul(--t, $bm_sub(t, 2)), 1)), b);\\n}\\nfunction easeAndWizz() {\\n    var t, d, sX, eX;\\n    var n = 0;\\n    if (numKeys > 0) {\\n        n = nearestKey(time).index;\\n        if (key(n).time > time) {\\n            n--;\\n        }\\n    }\\n    try {\\n        var key1 = key(n);\\n        var key2 = key($bm_sum(n, 1));\\n    } catch (e) {\\n        return null;\\n    }\\n    t = $bm_sub(time, key1.time);\\n    d = $bm_sub(key2.time, key1.time);\\n    sX = key1.time;\\n    eX = $bm_sub(key2.time, key1.time);\\n    if (time < key1.time || time > key2.time) {\\n        return null;\\n    } else {\\n        return valueAtTime(easeandwizz_inoutQuad(t, sX, eX, d));\\n    }\\n}\\n$bm_rt = easeAndWizz() || value;\"},\"p\":{\"a\":0,\"k\":[2400,1246.59,0],\"ix\":2,\"l\":2},\"a\":{\"a\":0,\"k\":[0,0,0],\"ix\":1,\"l\":2},\"s\":{\"a\":0,\"k\":[100,100,100],\"ix\":6,\"l\":2}},\"ao\":0,\"shapes\":[{\"ty\":\"gr\",\"it\":[{\"ind\":0,\"ty\":\"sh\",\"ix\":1,\"ks\":{\"a\":0,\"k\":{\"i\":[[0,0],[0,0],[0,0],[0,0]],\"o\":[[0,0],[0,0],[0,0],[0,0]],\"v\":[[-15.51,-302.53],[15.51,-302.53],[15.51,-46.47],[-15.51,-46.47]],\"c\":true},\"ix\":2},\"nm\":\"Path 1\",\"mn\":\"ADBE Vector Shape - 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È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","paragraph":"<p>Il manoscritto XIII.C.4, pergamenaceo, è datato al terzo quarto del XIV secolo. Il codice è mutilo e non contiene che alcune parti delle tre cantiche. Il testo della <em>Commedia </em>è copiato su una colonna e decorato con iniziali miniate e filigranate. Due artisti diversi realizzano i 76 disegni a penna che occupano i margini delle carte.</p>\n<p>Nella carta di sinistra, Dante e Virgilio scappano dai <a href=\"https://www.treccani.it/enciclopedia/malebranche_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Malebranche</a>; in quella di destra, Virgilio prende Dante di peso e si lancia sul fondo della bolgia successiva.</p>","subtitle":"<p>Napoli, Biblioteca Nazionale “Vittorio Emanuele III”, XIII.C.4, cc. 14v-15r</p>","title":"Dante e Virgilio fuggono dai diavoli","url":"https://divinalingua.it/it/blog/xiii-c-4-it"}]}],"id":"4277","size":"large","typeHandle":"image"},{"__typename":"module_header_Entry","backgroundText":"VI","centered":true,"id":"4289","subtitle":null,"surtitle":"Sesta bolgia (Inf. 23)","title":"Ipocriti","typeHandle":"header"},{"__typename":"module_paragraph_Entry","alignment":"center","id":"4301","size":"large","text":"\n<p>Rocambolescamente giunti sul fondo della sesta bolgia, Dante e Virgilio incontrano i dannati per ipocrisia, imprigionati in enormi cappe da monaco, dorate all’esterno ma fatte in realtà di pesante piombo. <strong>Gli ipocriti incedono lentamente per il peso della veste e calpestano sul loro cammino altri ipocriti stesi a terra, crocifissi con tre pali di legno: sono i membri del Sinedrio di Gerusalemme, che condannarono a morte Gesù con falsi pretesti</strong>. </p>\n<p> </p>\n<p>I dannati indicano a Dante e Virgilio le rovine di uno dei ponti che i due viandanti, con grande fatica, risalgono scalando.</p>\n\n","typeHandle":"paragraph"},{"__typename":"module_quote_Entry","id":"4305","legend":"<p>PASSO DELLA COMMEDIA: Inf. 23, 61-66.</p>","lines":[{"__typename":"quote_default_BlockType","id":"39723","text":"Elli avean cappe con cappucci bassi"},{"__typename":"quote_default_BlockType","id":"39724","text":"dinanzi a li occhi, fatte de la taglia"},{"__typename":"quote_default_BlockType","id":"39725","text":"che in Clugnì per li monaci fassi."},{"__typename":"quote_default_BlockType","id":"39726","text":"Di fuor dorate son, sì ch’elli abbaglia;"},{"__typename":"quote_default_BlockType","id":"39727","text":"ma dentro tutte piombo, e gravi tanto,"},{"__typename":"quote_default_BlockType","id":"39728","text":"che Federigo le mettea di paglia."}],"typeHandle":"quote"},{"__typename":"module_textCard_Entry","card":[{"__typename":"card_image_Entry","id":"4422","image":[{"__typename":"assets_Asset","height":1920,"placeholder":"data:image/png;base64,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","title":"01 17 BLM Plut 90 inf 42 f 106 v","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_17_BLM_Plut._90_inf_42_f_106_v.jpg","width":877}],"legend":"<p>Nel disegno a penna, Dante e Virgilio osservano l’ipocrita Caifa crocifisso a terra. - Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, c. 106v.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":1920,"placeholder":"data:image/png;base64,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","title":"01 17 BLM Plut 90 inf 42 f 106 v","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_17_BLM_Plut._90_inf_42_f_106_v.jpg","width":877}],"layout":"vertical","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","paragraph":"<p>Il plut. 90 inf. 42 è un codice cartaceo prodotto nel XIV secolo. Nel copiare, lo scriba anonimo alterna dei gruppi di terzine con dei passi del commento alla Commedia di Graziolo Bambaglioli. Un secondo copista, Filippo di Matteo Villani, corregge le sviste del primo e aggiunge alcune annotazioni. I 43 disegni a penna che decorano il manoscritto non sembrano essere stati previsti nel piano originario di copia, e sono probabilmente l’opera del copista principale e di un altro artista. Il manoscritto è una delle copie della <em>Commedia</em> più esplicitamente collegate all’ambito mercantile, come testimoniano sia il formato del manoscritto, lungo e stretto come un libro di conti, sia la scrittura mercantesca utilizzata nella trascrizione. </p>\n<p>Nel disegno al centro della pagina, da sinistra a destra, Virgilio e Dante osservano <a href=\"https://www.treccani.it/enciclopedia/caifas_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Caifa</a> e gli <a href=\"https://www.treccani.it/enciclopedia/ipocriti_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">ipocriti</a>, coperti dalle loro pesanti cappe, che avanzano.</p>","subtitle":"<p>Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, c. 106v</p>","title":"Dante e Virgilio davanti a Caifa","url":"https://divinalingua.it/it/blog/plut-90-inf-42-it"}]}],"id":"4426","introduction":null,"reverse":true,"subtitle":"<p>La discesa verso il fondo dell’Inferno si fa via via più ardua e complessa. La difficile scalata dell’argine che separa la sesta e la settima bolgia sfinisce Dante, che arrivato in cima si permette una sosta. Virgilio lo rimprovera immediatamente, poiché altra scala più erta resta ancora da salire. Su un piano allegorico, non basta esplorare i mali più turpi che l’Inferno rappresenta; bisogna anche espiarli e continuare il cammino verso il bene, facendo penitenza sulla montagna del Purgatorio, fino alla pienezza dei cieli del Paradiso.</p>","text":null,"title":null,"typeHandle":"textCard"},{"__typename":"module_header_Entry","backgroundText":"VII","centered":true,"id":"5030","subtitle":null,"surtitle":"Settima bolgia (Inf. 24-26)","title":"Ladri","typeHandle":"header"},{"__typename":"module_paragraph_Entry","alignment":"center","id":"5036","size":"larger","text":"<p>Attraversato l’arco di roccia – questo, sì, integro – che sovrasta la settima bolgia, Dante osserva orripilato le bestiali metamorfosi subìte dalle anime dei ladri.</p>","typeHandle":"paragraph"},{"__typename":"module_image_Entry","card":[{"__typename":"card_image_Entry","id":"8244","image":[{"__typename":"assets_Asset","height":1138,"placeholder":"data:image/png;base64,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","title":"01 i19 Ude M PQ4364 S625 1921 p 136","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i19_UdeM_PQ4364S625_1921_p_136.jpg","width":1920}],"legend":"<p>Dante e Virgilio osservano i ladri, tra cui Caco, attaccati dai serpenti (incisione su legno di Jacques Beltrand su un disegno di Sandro Botticelli). - <em>Sixième centenaire de Dante Alighieri, 1321-1921: bulletin du jubilé</em>, Paris, L’Art catholique, 1921, p. 136. Université de Montréal, Bibliothèque des lettres et sciences humaines, Collection de l’Institut d’études médiévales, PQ 4364 S625 1921.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":2389,"placeholder":"data:image/png;base64,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","title":"PQ4364 S625 1921 livre Ouvert","url":"https://cms.divinalingua.it/uploads/_AUTOxAUTO_crop_center-center_none/PQ4364S625_1921_livreOuvert.jpg","width":3689}],"layout":"horizontal","legend":null,"paragraph":"<p>Come per il settimo centenario della morte di Dante del 2021, anche per il sesto del 1921 la comunità delle lettere si attivò per l’organizzazione di diversi eventi, pubblicazioni e iniziative per celebrare il poeta. In questo contesto, il Comité français catholique pubblicò un bollettino delle celebrazioni ricco di contributi sulla figura di Dante, la sua opera e la loro ricezione. Al suo interno furono pubblicati anche diversi frammenti di una nuova traduzione in francese dell’<em>Inferno</em>.</p>\n<p>La copia del volume qui presentata proviene dal convento domenicano di Lewiston, in Maine. Alla chiusura del convento negli anni '90 del secolo scorso, essa venne trasferita alla Bibliothèque Albert-le-Grand dell’Institut d’études médiévales, principale biblioteca dell'ordine domenicano a Montreal. Nel 1995, la collezione dell’Institut è stata acquisita dall’Université de Montréal.</p>","subtitle":"<p><em>Sixième centenaire de Dante Alighieri, 1321-1921: bulletin du jubilé</em>, Paris, L’Art catholique, 1921, pp. 136-137. Université de Montréal, Bibliothèque des lettres et sciences humaines, Collection de l’Institut d’études médiévales, PQ 4364 S625 1921</p>","title":"Dante e Virgilio osservano i ladri attaccati dai serpenti","url":"https://divinalingua.it/it/blog/pq4364s6251921-it"}]}],"id":"8241","size":"full","typeHandle":"image"},{"__typename":"module_paragraph_Entry","alignment":"right","id":"5040","size":"large","text":"\n<p>Un ammasso di serpenti si scaglia sui dannati, ne cinge i corpi e ne blocca le mani mentre questi inutilmente tentano di scappare ai morsi e alle strette. <strong>I serpenti si mescolano ai dannati fondendosi continuamente con loro in strani ibridi, a metà tra umani e rettili</strong>.</p>\n","typeHandle":"paragraph"},{"__typename":"module_diptych_Entry","cards":[{"__typename":"card_image_Entry","id":"8259","image":[{"__typename":"assets_Asset","height":965,"placeholder":"data:image/png;base64,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","title":"01 18 BLM Plut 90 inf 42 f 112 v cropped 1548x965","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_18_BLM_Plut._90_inf_42_f_112_v_cropped_1548x965.jpg","width":1548}],"legend":"<p>Virgilio indica a Dante il centauro Caco, qui raffigurato come un uomo. - Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, c. 112v.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":1920,"placeholder":"data:image/png;base64,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","title":"01 18 BLM Plut 90 inf 42 f 112 v 884x1920","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_18_BLM_Plut._90_inf_42_f_112_v_884x1920.jpg","width":884}],"layout":"vertical","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","paragraph":"<p>Il plut. 90 inf. 42 è un codice cartaceo prodotto nel XIV secolo. Nel copiare, lo scriba anonimo alterna dei gruppi di terzine con dei passi del commento alla Commedia di Graziolo Bambaglioli. Un secondo copista, Filippo di Matteo Villani, corregge le sviste del primo e aggiunge alcune annotazioni. I 43 disegni a penna che decorano il manoscritto non sembrano essere stati previsti nel piano originario di copia, e sono probabilmente l’opera del copista principale e di un altro artista. Il manoscritto è una delle copie della <em>Commedia</em> più esplicitamente collegate all’ambito mercantile, come testimoniano sia il formato del manoscritto, lungo e stretto come un libro di conti, sia la scrittura mercantesca utilizzata nella trascrizione.</p>\n<p>Il disegno al centro della pagina raffigura, da sinistra a destra: Dante, Virgilio, il centauro <a href=\"https://www.treccani.it/enciclopedia/caco_%28Enciclopedia-Dantesca%29/#:~:text=-%20Personaggio%20della%20mitologia%20romana.,particolari%20l'uccisione%20di%20C.&amp;text=Ladro%20di%20bestiame%20e%20dedito,sangue%20e%20di%20teschi%20umani.\" target=\"_blank\" rel=\"noreferrer noopener\">Caco</a> (che il disegnatore raffigura in forma d’un uomo) e un altro <a href=\"https://www.treccani.it/enciclopedia/ladrone-ladro_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">ladro</a>. Dalla bocca di <a href=\"https://www.treccani.it/enciclopedia/caco_%28Enciclopedia-Dantesca%29/#:~:text=-%20Personaggio%20della%20mitologia%20romana.,particolari%20l'uccisione%20di%20C.&amp;text=Ladro%20di%20bestiame%20e%20dedito,sangue%20e%20di%20teschi%20umani.\" target=\"_blank\" rel=\"noreferrer noopener\">Caco</a> escono le parole “Ov’è, ov’è l’acerbo?” (Inf. 25, 18).</p>","subtitle":"<p>Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, c. 112v</p>","title":"Virgilio indica a Dante il centauro Caco","url":"https://divinalingua.it/it/blog/plut-90-inf-42-it"}]}],"id":"8883","layout":"66-33","title":"Diptyque - Enfer - 3/4 - Cercle 8 - Septième bolge : Voleurs - Cacus sous forme humaine","typeHandle":"diptych"},{"__typename":"module_quote_Entry","id":"8049","legend":"<p>PASSO DELLA COMMEDIA: Inf. 25, 49-54</p>","lines":[{"__typename":"quote_default_BlockType","id":"40185","text":"Com’io tenea levate in lor le ciglia,"},{"__typename":"quote_default_BlockType","id":"40186","text":"e un serpente con sei piè si lancia"},{"__typename":"quote_default_BlockType","id":"40187","text":"dinanzi a l’uno, e tutto a lui s’appiglia."},{"__typename":"quote_default_BlockType","id":"40188","text":"Co’ piè di mezzo li avvinse la pancia,"},{"__typename":"quote_default_BlockType","id":"40189","text":"e con li anterior le braccia prese;"},{"__typename":"quote_default_BlockType","id":"40190","text":"poi li addentò e l’una e l’altra guancia."}],"typeHandle":"quote"},{"__typename":"module_image_Entry","card":[{"__typename":"card_image_Entry","id":"8253","image":[{"__typename":"assets_Asset","height":1290,"placeholder":"data:image/png;base64,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","title":"01 19 BN XIII C 4 f 18 V 19 r","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_19_BN_XIII_C_4_f_18_V_19_r.jpg","width":1920}],"legend":"<p>Dante e Virgilio davanti ai ladri attaccati dai serpenti, nella settima bolgia. - Napoli, Biblioteca Nazionale “Vittorio Emanuele III”, XIII.C.4, cc. 18v-19r.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":1290,"placeholder":"data:image/png;base64,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","title":"01 19 BN XIII C 4 f 18 V 19 r","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_19_BN_XIII_C_4_f_18_V_19_r.jpg","width":1920}],"layout":"vertical","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","paragraph":"<p>Il manoscritto XIII.C.4, pergamenaceo, è datato al terzo quarto del XIV secolo. Il codice è mutilo e non contiene che alcune parti delle tre cantiche. Il testo della <em>Commedia</em> è copiato su una colonna e decorato con iniziali miniate e filigranate. Due artisti diversi realizzano i 76 disegni a penna che occupano i margini delle carte.</p>\n<p>A sinistra, il disegno rappresenta Dante che chiede a Virgilio di non parlare. Egli vuole ascoltare la voce dei tre dannati, di cui riconosce l’accento toscano. Un serpente a sei piedi attacca uno dei dannati. A destra, Dante e Virgilio sono spaventati dalle metamorfosi dei dannati.<br /></p>\n","subtitle":"<p>Napoli, Biblioteca Nazionale “Vittorio Emanuele III”, XIII.C.4, cc. 18v-19r</p>","title":"Dante e Virgilio davanti ai ladri attaccati dai serpenti","url":"https://divinalingua.it/it/blog/xiii-c-4-it"}]}],"id":"8252","size":"full","typeHandle":"image"},{"__typename":"module_text_Entry","id":"5042","text":"\n<p>Tra le anime, Dante incontra il pistoiese Vanni Fucci e almeno cinque fiorentini. È l’occasione di un’invettiva contro la degenerazione morale di Firenze, alla quale il poeta preannuncia un triste avvenire. </p>\n","typeHandle":"text"},{"__typename":"module_header_Entry","backgroundText":"VIII","centered":true,"id":"7445","subtitle":null,"surtitle":"Ottava bolgia (Inf. 26-27)","title":"Consiglieri fraudolenti","typeHandle":"header"},{"__typename":"module_paragraph_Entry","alignment":"center","id":"7447","size":"large","text":"<p>Come una valle piena di lucciole, il fondo dell’ottava bolgia è cosparso di fiammelle. <strong>Ciascuna di esse nasconde un consigliere fraudolento che in vita ha posto la propria intelligenza al servizio della frode e dell’inganno</strong>. Dall’alto, Dante interroga la sua guida su una doppia fiamma, che Virgilio identifica essere quella in cui bruciano insieme <strong>Ulisse</strong>, protagonista dell’<em>Odissea</em><br />di Omero, e <strong>Diomede</strong>, suo amico e compagno d’arme. Quando sono vicini, Ulisse racconta ai due viandanti del suo ultimo viaggio in mare. Con la sua compagnia, Ulisse arrivò al di là delle colonne d’Ercole, ultimo limite del mondo conosciuto</p>","typeHandle":"paragraph"},{"__typename":"module_image_Entry","card":[{"__typename":"card_image_Entry","id":"8001","image":[{"__typename":"assets_Asset","height":1388,"placeholder":"data:image/png;base64,/9j/4AAQSkZJRgABAQEAYABgAAD//gA7Q1JFQVRPUjogZ2QtanBlZyB2MS4wICh1c2luZyBJSkcgSlBFRyB2NjIpLCBxdWFsaXR5ID0gODIK/9sAQwAGBAQFBAQGBQUFBgYGBwkOCQkICAkSDQ0KDhUSFhYVEhQUFxohHBcYHxkUFB0nHR8iIyUlJRYcKSwoJCshJCUk/9sAQwEGBgYJCAkRCQkRJBgUGCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQk/8AAEQgADwAUAwEiAAIRAQMRAf/EAB8AAAEFAQEBAQEBAAAAAAAAAAABAgMEBQYHCAkKC//EALUQAAIBAwMCBAMFBQQEAAABfQECAwAEEQUSITFBBhNRYQcicRQygZGhCCNCscEVUtHwJDNicoIJChYXGBkaJSYnKCkqNDU2Nzg5OkNERUZHSElKU1RVVldYWVpjZGVmZ2hpanN0dXZ3eHl6g4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4ubrCw8TFxsfIycrS09TV1tfY2drh4uPk5ebn6Onq8fLz9PX29/j5+v/EAB8BAAMBAQEBAQEBAQEAAAAAAAABAgMEBQYHCAkKC//EALURAAIBAgQEAwQHBQQEAAECdwABAgMRBAUhMQYSQVEHYXETIjKBCBRCkaGxwQkjM1LwFWJy0QoWJDThJfEXGBkaJicoKSo1Njc4OTpDREVGR0hJSlNUVVZXWFlaY2RlZmdoaWpzdHV2d3h5eoKDhIWGh4iJipKTlJWWl5iZmqKjpKWmp6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ2uLj5OXm5+jp6vLz9PX29/j5+v/aAAwDAQACEQMRAD8AxpdTvLS5Ftp9hbyxrkyDygdvzYFbF9DBpwVra3ij3K5YxxDlsn2qXSrSC9ha4EuVYbgcdOc9xSTX+maqsii4BmiLxbQrqM5PtXkxd0ey7WsZ1tb2TKxeOEEsT86jP60ViW0l3HLd+dqqrunYqojyFXjA5FFZShK+g04n/9k=","title":"01 20 BNC Palatino 313 f 63 v merged","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_20_BNC_Palatino_313_f_63_v_merged.jpg","width":1920}],"legend":"<p>Nella miniatura, Dante guarda Virgilio parlare con la fiamma che nasconde Guido da Montefeltro. - Firenze, Biblioteca Nazionale Centrale, Palatino 313, cc. 63v-64r.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":1388,"placeholder":"data:image/png;base64,/9j/4AAQSkZJRgABAQEAYABgAAD//gA7Q1JFQVRPUjogZ2QtanBlZyB2MS4wICh1c2luZyBJSkcgSlBFRyB2NjIpLCBxdWFsaXR5ID0gODIK/9sAQwAGBAQFBAQGBQUFBgYGBwkOCQkICAkSDQ0KDhUSFhYVEhQUFxohHBcYHxkUFB0nHR8iIyUlJRYcKSwoJCshJCUk/9sAQwEGBgYJCAkRCQkRJBgUGCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQkJCQk/8AAEQgADwAUAwEiAAIRAQMRAf/EAB8AAAEFAQEBAQEBAAAAAAAAAAABAgMEBQYHCAkKC//EALUQAAIBAwMCBAMFBQQEAAABfQECAwAEEQUSITFBBhNRYQcicRQygZGhCCNCscEVUtHwJDNicoIJChYXGBkaJSYnKCkqNDU2Nzg5OkNERUZHSElKU1RVVldYWVpjZGVmZ2hpanN0dXZ3eHl6g4SFhoeIiYqSk5SVlpeYmZqio6Slpqeoqaqys7S1tre4ubrCw8TFxsfIycrS09TV1tfY2drh4uPk5ebn6Onq8fLz9PX29/j5+v/EAB8BAAMBAQEBAQEBAQEAAAAAAAABAgMEBQYHCAkKC//EALURAAIBAgQEAwQHBQQEAAECdwABAgMRBAUhMQYSQVEHYXETIjKBCBRCkaGxwQkjM1LwFWJy0QoWJDThJfEXGBkaJicoKSo1Njc4OTpDREVGR0hJSlNUVVZXWFlaY2RlZmdoaWpzdHV2d3h5eoKDhIWGh4iJipKTlJWWl5iZmqKjpKWmp6ipqrKztLW2t7i5usLDxMXGx8jJytLT1NXW19jZ2uLj5OXm5+jp6vLz9PX29/j5+v/aAAwDAQACEQMRAD8AxpdTvLS5Ftp9hbyxrkyDygdvzYFbF9DBpwVra3ij3K5YxxDlsn2qXSrSC9ha4EuVYbgcdOc9xSTX+maqsii4BmiLxbQrqM5PtXkxd0ey7WsZ1tb2TKxeOEEsT86jP60ViW0l3HLd+dqqrunYqojyFXjA5FFZShK+g04n/9k=","title":"01 20 BNC Palatino 313 f 63 v merged","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_20_BNC_Palatino_313_f_63_v_merged.jpg","width":1920}],"layout":"vertical","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","paragraph":"<p>Prodotto nel secondo quarto del XIV secolo, il Palatino 313 è il più antico manoscritto miniato della <em>Commedia</em> arrivato fino a noi. Il testo delle tre cantiche è copiato su due colonne e incorniciato dal commento di Jacopo Alighieri, figlio di Dante. La maggior parte dei versi sono copiati non su una ma su due righe, secondo una disposizione del testo che non avrà tradizione successiva. Le 37 miniature che decorano il codice sono attribuite al fiorentino Pacino da Bonaguida. Il manoscritto è passato per le mani di Piero del Nero, letterato e politico fiorentino del XVI secolo, e di Gaetano Poggiali, che lo ha usato come punto di partenza per la sua edizione della <em>Commedia</em> pubblicata all’inizio del XIX secolo.</p>\n<p>Nella miniatura al centro di c. 63v, che separa la fine del canto XXVI e l’inizio del XXVII dell’<em>Inferno</em>, Dante guarda Virgilio che parla con le fiamme. Una di esse contiene l’anima del dannato <a href=\"https://www.treccani.it/enciclopedia/guido-da-montefeltro_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Guido da Montefeltro</a>.</p>","subtitle":"<p> Firenze, Biblioteca Nazionale Centrale, Palatino 313, cc. 63v-64r</p>","title":"Dante guarda Virgilio parlare con la fiamma che nasconde Guido da Montefeltro","url":"https://divinalingua.it/it/blog/palatino-313-it"}]}],"id":"7994","size":"full","typeHandle":"image"},{"__typename":"module_quote_Entry","id":"7551","legend":"<p>PASSO DELLA COMMEDIA: Inf. 26, 112-120</p>","lines":[{"__typename":"quote_default_BlockType","id":"40479","text":"«“O frati”, dissi “che per cento milia"},{"__typename":"quote_default_BlockType","id":"40480","text":"perigli siete giunti a l’occidente,"},{"__typename":"quote_default_BlockType","id":"40481","text":"a questa tanto picciola vigilia"},{"__typename":"quote_default_BlockType","id":"40482","text":"d’i nostri sensi ch’è del rimanente,"},{"__typename":"quote_default_BlockType","id":"40483","text":"non vogliate negar l’esperienza,"},{"__typename":"quote_default_BlockType","id":"40484","text":"di retro al sol, del mondo sanza gente."},{"__typename":"quote_default_BlockType","id":"40485","text":"Considerate la vostra semenza:"},{"__typename":"quote_default_BlockType","id":"40486","text":"fatti non foste a viver come bruti,"},{"__typename":"quote_default_BlockType","id":"40487","text":"ma per seguir virtute e canoscenza”»."}],"typeHandle":"quote"},{"__typename":"module_paragraph_Entry","alignment":"right","id":"7451","size":"large","text":"<p>La legge divina non ammette, però, la tracotanza umana della sete di conoscenza. Arrivata al largo della montagna del Purgatorio, <strong>la nave di Ulisse affonda in un vortice</strong>.</p>","typeHandle":"paragraph"},{"__typename":"module_textTwoColumns_Entry","id":"7457","leftText":"<p>Gli innumerevoli e ingegnosi inganni di Ulisse sono raccontati da Virgilio che, da fine conoscitore dell’Iliade e dell’Odissea, è ben informato delle vicende dell’eroe. Il dialogo con Ulisse si concentra, invece, sugli ultimi eventi della sua vita. Spinto dal desiderio di “divenir del mondo esperto”, Ulisse raccoglie un piccolo equipaggio e con esso prende il largo, verso le ignote rotte al di là del mondo conosciuto.</p>","rightText":"<p>In un viaggio che dura mesi, l’eroe sprona i compagni a perseverare, a seguire la loro virtù e il desiderio di conoscenza. Una tale ricerca è, però, volta all’insuccesso perché non assistita dalla Grazia divina. Quello di Ulisse non è che un folle volo, per le sue stesse premesse destinato a fallire.</p>","typeHandle":"textTwoColumns"},{"__typename":"module_paragraph_Entry","alignment":"left","id":"7455","size":"large","text":"\n<p>Un altro dannato interpella Dante e Virgilio, <strong>Guido da Montefeltro</strong>, celebre uomo politico romagnolo di cui diverse fonti storiche riconoscono le virtù politiche. Guido chiede a Dante informazioni sulla situazione politica romagnola attuale. In cambio, <strong>racconta la storia della propria dannazione, che include una inefficace assoluzione piena concessagli da papa Bonifacio VIII</strong>.</p>\n","typeHandle":"paragraph"},{"__typename":"module_header_Entry","backgroundText":"IX","centered":true,"id":"7202","subtitle":null,"surtitle":"Nona bolgia (Inf. 28)","title":"Seminatori di discordie e scismi","typeHandle":"header"},{"__typename":"module_paragraph_Entry","alignment":"center","id":"7208","size":"large","text":"<p>Dante e Virgilio avanzano nella nona bolgia. Un diavolo passa a fil di spada i seminatori di discordie e scismi, mutilandoli. <strong>Gole forate, nasi mozzati, corpi quasi dimezzati, pezzi di torace e mani amputate</strong>: un tale spettacolo si mostra a Dante, ma non il diavolo e la sua spada, che si trovano più lontani sulla piana della bolgia. Nel tempo che i dannati spendono a percorrere il cerchio del fossato, le loro ferite si rimarginano e i loro corpi sono pronti a subire nuove mutilazioni.<br /></p>\n","typeHandle":"paragraph"},{"__typename":"module_quote_Entry","id":"7212","legend":"<p>PASSO DELLA COMMEDIA: Inf. 28, 37-42</p>","lines":[{"__typename":"quote_default_BlockType","id":"41105","text":"Un diavolo è qua dietro che n’accisma"},{"__typename":"quote_default_BlockType","id":"41106","text":"sì crudelmente, al taglio de la spada"},{"__typename":"quote_default_BlockType","id":"41107","text":"rimettendo ciascun di questa risma,"},{"__typename":"quote_default_BlockType","id":"41108","text":"quand’avem volta la dolente strada;"},{"__typename":"quote_default_BlockType","id":"41109","text":"però che le ferite son richiuse"},{"__typename":"quote_default_BlockType","id":"41110","text":"prima ch’altri dinanzi li rivada."}],"typeHandle":"quote"},{"__typename":"module_image_Entry","card":[{"__typename":"card_image_Entry","id":"7195","image":[{"__typename":"assets_Asset","height":877,"placeholder":"data:image/png;base64,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","title":"01 21 BLM Plut 40 07 f 60 v cropped","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_21_BLM_Plut._40.07_f_60_v_cropped.jpg","width":1920}],"legend":"<p>Dante e Virgilio con Bertrand de Born, che tiene la sua testa per i capelli, e alcuni altri dannati mutilati - Firenze, Biblioteca Medicea Laurenziana, Plut. 40.7, c. 60v.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":2464,"placeholder":"data:image/png;base64,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","title":"01 21 BLM Plut 40 07 f 60 v full","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_21_BLM_Plut._40.07_f_60_v_full.jpg","width":1920}],"layout":"horizontal","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","paragraph":"<p>Di formato medio-grande, il manoscritto plut. 40.7 è stato copiato su carta tra gli anni ’60 e ’70 del XIV secolo, in Toscana. La rilegatura testimonia che il codice è appartenuto alla famiglia de' Medici. Il testo della <em>Commedia</em> è trascritto su una colonna e circondato da chiose e glosse aggiunte in diverse fasi successive. Il progetto originale di decorazione non è stato portato a termine ed è stato integrato dall’intervento di artisti posteriori. Le miniature del <em>Paradiso</em>, realizzate posteriormente al codice, mostrano un progetto unitario dell’artista che si occupa di riempire gli spazi rimasti vuoti.</p>\n<p>Nel disegno, da sinistra a destra: Virgilio, Dante, i seminatori di discordie e scismi, tra cui <a href=\"https://www.treccani.it/enciclopedia/bertram-dal-bornio_%28Enciclopedia-Dantesca%29/#:~:text=Bertram%20dal%20Bornio%20(Bertrans%20de,VE%20II%20II%209%20D.\" target=\"_blank\" rel=\"noreferrer noopener\">Bertrand de Born</a> che tiene la sua testa in mano. La punizione dei dannati è la mutilazione.</p>","subtitle":"<p>Firenze, Biblioteca Medicea Laurenziana, Plut. 40.7, c. 60v</p>","title":"Dante e Virgilio con Bertrand de Born e altri dannati","url":"https://divinalingua.it/it/blog/plut-40-7-it"}]}],"id":"7156","size":"full","typeHandle":"image"},{"__typename":"module_header_Entry","backgroundText":"X","centered":true,"id":"6929","subtitle":"di metalli, di persona, di moneta e di parola","surtitle":"Decima bolgia (Inf. 29-30)","title":"Falsari","typeHandle":"header"},{"__typename":"module_paragraph_Entry","alignment":"center","id":"6931","size":"large","text":"<p>Lasciando indietro i dannati della nona bolgia, Dante non si accorge della presenza di un suo cugino. Virgilio lo mette al corrente mentre i due viandanti attraversano lo scoglio di roccia che sovrasta la decima fossa. Scendendo la scarpata di quest’ultima bolgia, Dante è sopraffatto dalle esalazioni di carne putrida che salgono dai falsari. <strong>Le diverse tipologie di falsari soffrono pene specifiche: gli alchimisti, falsari di metalli, sono martoriati dalla scabbia e dalla lebbra; i falsari di persona, che si finsero qualcun’altro, corrono rabbiosi mordendo gli altri dannati; i falsari di moneta sono deformati dall’idropisia, con il ventre ingigantito e il volto magrissimo; i falsari di parola, o calunniatori, sono arsi da una febbre così alta che il loro corpo emana vapore e ripugnante puzzo di olio bruciato.</strong></p>","typeHandle":"paragraph"},{"__typename":"module_diptych_Entry","cards":[{"__typename":"card_image_Entry","id":"7144","image":[{"__typename":"assets_Asset","height":1377,"placeholder":"data:image/png;base64,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","title":"01 i18 n Mc Gill B4 I421800zelf","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i18_n__McGill_B4I421800zelf.jpg","width":1920}],"legend":"<p>Dante e Virgilio nella bolgia dei falsari (incisione di William Blake). - <em>Blake’s Illustration to Dante, </em>sette illustrazioni in un volume senza data. McGill Rare Books and Special Collections, B4I421800zelf.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":1496,"placeholder":"data:image/png;base64,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","title":"01 i18 n Mc Gill B4 I421800zelf full","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i18_n__McGill_B4I421800zelf_full.jpg","width":1920}],"layout":"horizontal","legend":null,"paragraph":"<p>La rilegatura in mezza pelle marocchina rossa di questo volume protegge sette incisioni stampate su carta India. Tutte le illustrazioni riproducono i disegni della <em>Commedia </em>realizzati dal poeta inglese William Blake. Il volume conserva l’ex libris di Clarence S. Bement (1843-1923), statunitense collezionista di minerali e monete e bibliofilo.</p>\n<p>L’illustrazione rappresenta Dante e Virgilio nella bolgia dei falsari. Si possono distinguere i diversi gruppi di dannati in base alla loro pena: gli <a href=\"https://www.treccani.it/enciclopedia/falsari_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">alchimisti</a> sono distesi a terra, mentre i <a href=\"https://www.treccani.it/enciclopedia/falsari_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">falsari di monete</a> hanno il ventre gonfio per l’idropisia.</p>","subtitle":"<p><em>Blake’s Illustration to Dante, </em>sette illustrazioni in un volume senza data. McGill Rare Books and Special Collections, Blake 2.1 B4 I42 1800z elf</p>","title":"Dante e Virgilio nella bolgia dei falsari","url":"https://divinalingua.it/it/blog/blake21b4i421800zelf-it"}]}],"id":"7133","layout":"66-33","title":"Diptyque - Enfer - 3/4 - Cercle 8 - Dixième Bolge : faussaires de métaux, de personnes, de monnaie, de paroles - IMPRIMÉ : 01_i18","typeHandle":"diptych"},{"__typename":"module_quote_Entry","id":"6936","legend":"<p>PASSO DELLA COMMEDIA: Inf. 29, 67-72</p>","lines":[{"__typename":"quote_default_BlockType","id":"41189","text":"Qual sovra ’l ventre, e qual sovra le spalle"},{"__typename":"quote_default_BlockType","id":"41190","text":"l’un de l’altro giacea, e qual carpone"},{"__typename":"quote_default_BlockType","id":"41191","text":"si trasmutava per lo tristo calle."},{"__typename":"quote_default_BlockType","id":"41192","text":"Passo passo andavam sanza sermone,"},{"__typename":"quote_default_BlockType","id":"41193","text":"guardando e ascoltando li ammalati,"},{"__typename":"quote_default_BlockType","id":"41194","text":"che non potean levar le lor persone."}],"typeHandle":"quote"},{"__typename":"module_header_Entry","backgroundText":null,"centered":true,"id":"6908","subtitle":null,"surtitle":"(Inf. 31)","title":"Pozzo dei giganti","typeHandle":"header"},{"__typename":"module_image_Entry","card":[{"__typename":"card_image_Entry","id":"6919","image":[{"__typename":"assets_Asset","height":1355,"placeholder":"data:image/png;base64,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","title":"01 i20 Ude M PQ4302 F02 1902 p 120","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i20_UdeM_PQ4302F02_1902_p_120.jpg","width":1920}],"legend":"<p>Dante e Virgilio ammirano i giganti. - <em>La Divina Commedia: novamente illustrata da artisti italiani</em>,\nFirenze, Alinari, 1902-1903, p. 120. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Collection générale, PQ 4302 F02 1902.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":1355,"placeholder":"data:image/png;base64,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","title":"01 i20 Ude M PQ4302 F02 1902 p 120","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i20_UdeM_PQ4302F02_1902_p_120.jpg","width":1920}],"layout":"vertical","legend":null,"paragraph":"<p>Nel 1900, il fotografo Vittorio Alinari (1859-1932) lancia un concorso per l’illustrazione dell’<em>Inferno </em>di Dante. Le creazioni più belle degli artisti che parteciparono al concorso furono raccolte nell’elegante edizione della <em>Divina Commedia novamente illustrata</em>, pubblicata sia in tre volumi che in volume unico. La copia conservata dall’Université de Montréal contiene le tre cantiche raccolte in una raffinata rilegatura in cuoio.</p>\n","subtitle":"<p><em>La Divina Commedia: novamente illustrata da artisti italiani</em>,\nFirenze, Alinari, 1902-1903, p. 120. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Collection générale, PQ 4302 F02 1902</p>","title":"Dante e Virgilio ammirano i giganti","url":"https://divinalingua.it/it/blog/pq4302f021902"}]}],"id":"6918","size":"full","typeHandle":"image"},{"__typename":"module_paragraph_Entry","alignment":"left","id":"6874","size":"large","text":"\n<p>Dante e Virgilio si allontanano dal lazzaretto dei falsari e percorrono l’argine più interno delle Malebolge. <strong>In lontananza, alti come torri, intravedono le sagome dei giganti. Essi sono incatenati allo strapiombo che separa l’ottavo cerchio dei fraudolenti dal nono dei traditori</strong>. Con l’eccezione del gigante Nembrot, responsabile secondo la Bibbia della costruzione della torre di Babele, i giganti che Virgilio riconosce appartengono tutti alle storie della mitologia greca.</p>\n","typeHandle":"paragraph"},{"__typename":"module_textCard_Entry","card":[{"__typename":"card_image_Entry","id":"6824","image":[{"__typename":"assets_Asset","height":1721,"placeholder":"data:image/png;base64,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","title":"01 22 BNC Banco Rari 39 f 130 r","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_22_-BNC_Banco_Rari_39_f_130_r.jpg","width":1317}],"legend":"<p>Nello spazio dell’iniziale <i>F</i>, il gigante Anteo trasporta Dante e Virgilio nel nono cerchio dell’Inferno. - Firenze, Biblioteca Nazionale Centrale, Banco Rari 39, c. 130r.</p>","modals":[{"__typename":"modal_default_BlockType","image":[{"__typename":"assets_Asset","height":2581,"placeholder":"data:image/png;base64,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","title":"01 22 BNC Banco Rari 39 f 130 r 1920x2581","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_22_-BNC_Banco_Rari_39_f_130_r_1920x2581.jpg","width":1920}],"layout":"horizontal","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","paragraph":"<p>Il manoscritto Banco Rari 39, membranaceo di formato medio-grande, è stato realizzato nel primo decennio del XV secolo. Contiene le tre cantiche, il cui testo è trascritto su una colonna e incorniciato dal commento di Francesco da Buti. La decorazione, attribuita alla bottega di Giovannino de’ Grassi, è di alta qualità e particolarmente ricca ed elaborata nella realizzazione delle iniziali miniate. Essa è però rimasta incompleta e ne risulta un’alternanza di fascicoli sontuosamente miniati e altri totalmente privi di decorazione.</p>\n<p>Nell’iniziale istoriata <em>F</em>, il miniatore rappresenta una scena della discesa verso la parte più bassa dell’Inferno. Dante e Virgilio chiedono l’aiuto del gigante <a href=\"https://www.treccani.it/enciclopedia/anteo_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Anteo</a>, che li trasporta sul fondo del pozzo. Nell’angolo sinistro della miniatura è raffigurato un gruppo di <a href=\"https://www.treccani.it/enciclopedia/falsari_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">falsari</a>.</p>","subtitle":"<p>Firenze, Biblioteca Nazionale Centrale, Banco Rari 39, c. 130r</p>","title":"Il gigante Anteo trasporta Dante e Virgilio nel nono cerchio","url":"https://divinalingua.it/it/blog/banco-rari-39-it"}]}],"id":"6828","introduction":null,"reverse":true,"subtitle":"\n<p>Raggiunto il gigante Anteo, l’unico libero da catene, Virgilio lo prega di aiutarli a scendere nel pozzo del nono cerchio. Anteo distende le smisurate mani, afferra Dante, atterrito e abbracciato a Virgilio, e deposita i due viandanti nella parte più bassa dell’Inferno.</p>\n","text":null,"title":null,"typeHandle":"textCard"},{"__typename":"module_quote_Entry","id":"6830","legend":"<p>PASSO DELLA COMMEDIA: Inf. 31, 139-145</p>","lines":[{"__typename":"quote_default_BlockType","id":"40413","text":"Tal parve Anteo a me che stava a bada"},{"__typename":"quote_default_BlockType","id":"40414","text":"di vederlo chinare, e fu tal ora"},{"__typename":"quote_default_BlockType","id":"40415","text":"ch’i’ avrei voluto ir per altra strada."},{"__typename":"quote_default_BlockType","id":"40416","text":"Ma lievemente al fondo che divora"},{"__typename":"quote_default_BlockType","id":"40417","text":"Lucifero con Giuda, ci sposò;"},{"__typename":"quote_default_BlockType","id":"40418","text":"né sì chinato, lì fece dimora,"},{"__typename":"quote_default_BlockType","id":"40419","text":"e come albero in nave si levò."}],"typeHandle":"quote"}],"next":{"__typename":"page_chapter_Entry","buttonLabel":"Attraversare il Cocito","id":"2045","shortTitle":"Cerchio IX","title":"Nono Cerchio","uri":"inferno/cerchio-ix"},"parent":{"__typename":"page_book_Entry","icon":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/icons/_260x260_crop_center-center_none/icone-enfer.png"}],"id":"1993","theme":"black"},"title":"Ottavo Cerchio","typeHandle":"chapter"},"__APOLLO_STATE__":{"header_chapter_BlockType:2062":{"id":"2062","__typename":"header_chapter_BlockType","typeHandle":"chapter","displayTitle":"Fraudolenti","surtitle":"Ottavo Cerchio (Inf. 18-31)","subtitle":"Malebolge","backgroundText":"VIII"},"page_book_Entry:1993":{"id":"1993","__typename":"page_book_Entry","theme":"black","icon":[{"__typename":"assets_Asset","url@transform({\"format\":\"png\",\"height\":260,\"width\":260})":"https://cms.divinalingua.it/uploads/icons/_260x260_crop_center-center_none/icone-enfer.png"}],"uri":"inferno","title":"Livre - Enfer","typeHandle":"book","language":"it","sectionHandle":"page","level":1,"next":{"__ref":"page_chapter_Entry:19897"},"prev":{"__ref":"page_introduction_Entry:8428"},"localized":[{"__typename":"page_book_Entry","language":"fr","uri":"enfer","displayTitle":"Enfer"},{"__typename":"page_book_Entry","language":"en","uri":"hell","displayTitle":"Inferno"}],"parent":null,"children":[{"__ref":"page_chapter_Entry:19897"},{"__ref":"page_chapter_Entry:2040"},{"__ref":"page_chapter_Entry:2251"},{"__ref":"page_chapter_Entry:2255"},{"__ref":"page_chapter_Entry:2259"},{"__ref":"page_chapter_Entry:2262"},{"__ref":"page_chapter_Entry:2043"},{"__ref":"page_chapter_Entry:2269"},{"__ref":"page_chapter_Entry:2019"},{"__ref":"page_chapter_Entry:2045"}],"displayTitle":"Inferno","shortTitle":"Inferno","featuredImage":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/1-de-4/1Porte/_AUTOxAUTO_crop_center-center_none/01_i03_UdeM_PQ4329G53_1813.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i03 Ude M PQ4329 G53 1813","width":900,"height":1208}],"root":2386},"module_paragraph_Entry:2072":{"id":"2072","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"<p>Le anime dei fraudolenti verso chi non si fida scontano le loro pene nell’ottavo cerchio dell’Inferno, distribuite in <strong>dieci fossati, o bolge</strong>, che lo compongono. <strong>Concentriche e degradanti, le bolge sono separate da pareti di roccia e collegate tra loro da ponti naturali di pietra</strong>. Dante e Virgilio continuano la loro discesa verso il pozzo al centro dell’Inferno, <strong>sede di Lucifero</strong>.</p>","moduleParagraphTextSize":"largest","textAlignment":"center"},"card_image_Entry:8360":{"id":"8360","__typename":"card_image_Entry","legend":"\n<p>Planimetria e sezione dell’ottavo cerchio dell’Inferno, e planimetria del nono. - Giovanni Agnelli, <em>Topo-cronografia del viaggio dantesco</em>, Hoepli, Milan, 1891, t. 2. McGill Rare Books and Special Collections, folioPQ4402A27t1891.</p>\n","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i14_McGill_folioPQ4402A27t1891_table-II.1-2_1920x2949.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i14 Mc Gill folio PQ4402 A27t1891 table II 1 2 1920x2949","width":1920,"height":2949}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"L'ottavo e il nono cerchio dell'Inferno","paragraph":"<p>Giovanni Agnelli (1848-1926) è stato un insegnante, bibliotecario a Lodi, storico locale e appassionato di Dante. In questo elegante volume stampato in sole 400 copie, egli indaga la topografia dell’Inferno e del Purgatorio e la cronologia del viaggio dantesco. L’esemplare n. 91, conservato dalla McGill Library, è una donazione di William C. Macdonald, uomo d’affari canadese, filantropo e cancelliere di McGill University dal 1914 fino alla morte, nel 1917.</p>\n<p>Nella tavola sono raffigurate la planimetria e la sezione delle <a href=\"https://www.treccani.it/enciclopedia/malebolge_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Malebolge</a> e la planimetria del nono cerchio.</p>","subtitle":"<p>Giovanni Agnelli, <em>Topo-cronografia del viaggio dantesco</em>, Hoepli, Milan, 1891, t. 2. McGill Rare Books and Special Collections, folioPQ4402A27t1891</p>","layout":"vertical","legend":null,"linkUrl":"https://divinalingua.it/it/blog/foliopq4402a27t1891-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i14_McGill_folioPQ4402A27t1891_table-II.1-2_1920x2949.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i14 Mc Gill folio PQ4402 A27t1891 table II 1 2 1920x2949","width":1920,"height":2949}]}]},"module_image_Entry:8358":{"id":"8358","__typename":"module_image_Entry","typeHandle":"image","moduleImageSize":"full","card":[{"__ref":"card_image_Entry:8360"}]},"quote_default_BlockType:39673":{"id":"39673","__typename":"quote_default_BlockType","text":"Luogo è in inferno detto Malebolge,"},"quote_default_BlockType:39674":{"id":"39674","__typename":"quote_default_BlockType","text":"tutto di pietra di color ferrigno,"},"quote_default_BlockType:39675":{"id":"39675","__typename":"quote_default_BlockType","text":"come la cerchia che dintorno il volge."},"quote_default_BlockType:39676":{"id":"39676","__typename":"quote_default_BlockType","text":"Nel dritto mezzo del campo maligno"},"quote_default_BlockType:39677":{"id":"39677","__typename":"quote_default_BlockType","text":"vaneggia un pozzo assai largo e profondo,"},"quote_default_BlockType:39678":{"id":"39678","__typename":"quote_default_BlockType","text":"di cui suo loco dicerò l’ordigno."},"module_quote_Entry:2420":{"id":"2420","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 18, 1-6</p>","quote":[{"__ref":"quote_default_BlockType:39673"},{"__ref":"quote_default_BlockType:39674"},{"__ref":"quote_default_BlockType:39675"},{"__ref":"quote_default_BlockType:39676"},{"__ref":"quote_default_BlockType:39677"},{"__ref":"quote_default_BlockType:39678"}]},"module_header_Entry:2520":{"id":"2520","__typename":"module_header_Entry","typeHandle":"header","displayTitle":"Ruffiani e seduttori","subtitle":null,"surtitle":"Prima bolgia (Inf. 18)","backgroundText":"I","centered":true},"module_paragraph_Entry:2531":{"id":"2531","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"<p>Percorrendo in senso orario la parete esterna della prima bolgia, <strong>Dante osserva in basso due schiere di dannati avanzare nel fossato l’una in senso contrario all’altra</strong>. Le anime dei ruffiani camminano nella fila esterna, più vicina ai due poeti, e quelle dei seduttori in quella interna, entrambe frustate senza sosta dei diavoli.</p>","moduleParagraphTextSize":"large","textAlignment":"left"},"module_geometries_Entry:8418":{"id":"8418","__typename":"module_geometries_Entry","typeHandle":"geometries","title":"Géométries - Enfer - 3/4 - Cercle 8 - Première bolge : Proxénètes et séducteurs - Animation À CHANGER","animationData":"{\"v\":\"5.7.12\",\"fr\":60,\"ip\":0,\"op\":300,\"w\":4800,\"h\":2700,\"nm\":\"02-Coucher-Lune 2\",\"ddd\":0,\"assets\":[],\"layers\":[{\"ddd\":0,\"ind\":1,\"ty\":4,\"nm\":\"Ellipse 58\",\"sr\":1,\"ks\":{\"o\":{\"a\":0,\"k\":100,\"ix\":11},\"r\":{\"a\":0,\"k\":0,\"ix\":10},\"p\":{\"a\":1,\"k\":[{\"i\":{\"x\":0.833,\"y\":0.833},\"o\":{\"x\":0.167,\"y\":0.167},\"t\":0,\"s\":[2401.5,2139,0],\"to\":[0,-66.667,0],\"ti\":[0,66.667,0]},{\"t\":299,\"s\":[2401.5,1739,0]}],\"ix\":2,\"l\":2,\"x\":\"var $bm_rt;\\nfunction easeandwizz_outQuart(t, b, c, d) {\\n    return $bm_sum($bm_mul($bm_neg(c), $bm_sub($bm_mul($bm_mul($bm_mul(t = t / d - 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È Giasone, mitico eroe greco che sedusse e abbandonò Ipsipile e Medea.</p>"},"quote_default_BlockType:2694":{"id":"2694","__typename":"quote_default_BlockType","text":"E ’l buon maestro, sanza mia dimanda,"},"quote_default_BlockType:2695":{"id":"2695","__typename":"quote_default_BlockType","text":"mi disse: «Guarda quel grande che vene,"},"quote_default_BlockType:2696":{"id":"2696","__typename":"quote_default_BlockType","text":"e per dolor non par lagrime spanda:"},"quote_default_BlockType:2697":{"id":"2697","__typename":"quote_default_BlockType","text":"quanto aspetto reale ancor ritene!"},"quote_default_BlockType:2698":{"id":"2698","__typename":"quote_default_BlockType","text":"Quelli è Iasón, che per cuore e per senno"},"quote_default_BlockType:2699":{"id":"2699","__typename":"quote_default_BlockType","text":"li Colchi del monton privati féne."},"module_quote_Entry:2681":{"id":"2681","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA : Inf. 18, 82-87</p>","quote":[{"__ref":"quote_default_BlockType:2694"},{"__ref":"quote_default_BlockType:2695"},{"__ref":"quote_default_BlockType:2696"},{"__ref":"quote_default_BlockType:2697"},{"__ref":"quote_default_BlockType:2698"},{"__ref":"quote_default_BlockType:2699"}]},"module_header_Entry:2542":{"id":"2542","__typename":"module_header_Entry","typeHandle":"header","displayTitle":"Adulatori","subtitle":null,"surtitle":"Seconda bolgia (Inf. 18)","backgroundText":"II","centered":true},"module_paragraph_Entry:2552":{"id":"2552","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"<p>Oltrepassato il primo ponte, <strong>Dante e Virgilio vengono raggiunti dal puzzo immondo e dai gemiti della seconda bolgia</strong>. Per meglio osservare i dannati nascosti dall’oscurità del fosso, i viandanti attraversano il secondo ponte.</p>","moduleParagraphTextSize":"large","textAlignment":"left"},"card_image_Entry:2871":{"id":"2871","__typename":"card_image_Entry","legend":"<p>Dante e Virgilio osservano gli adulatori (illustrazione di Gustave Doré). - Dante Alighieri, <em>L’Enfer</em>, Paris, Hachette, 1868, t. 43. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Bibliothèque Léo-Pariseau, PQ43152F561868.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i15_UdeM_PaZ_PQ-4315.2_F56_1868_Planche_43.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i15 Ude M Pa Z PQ 4315 2 F56 1868 Planche 43","width":900,"height":1138}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Dante e Virgilio osservano gli adulatori","paragraph":"<p>Edizione bilingue italiano-francese dell’<em>Inferno</em>, con la traduzione di Pier Angelo Fiorentini e le illustrazioni di Gustave Doré. Il volume, di grandi dimensioni, faceva parte della biblioteca personale di Léo Pariseau (1882-1944), bibliofilo e professore di radiologia alla facoltà di medicina dell’Université de Montréal e capo del Service d'électroradiologie de l'Hôtel-Dieu a Montreal.</p>\n<p>L'illustrazione rappresenta Dante e Virgilio chini verso il fondo della bolgia, mentre osservano le anime dannate degli <a href=\"https://www.treccani.it/enciclopedia/lusingatori_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">adulatori</a>.</p>","subtitle":"<p>Dante Alighieri, <em>L’Enfer</em>, Paris, Hachette, 1868, t. 43. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Bibliothèque Léo-Pariseau. PQ43152F561868.</p>","layout":"horizontal","legend":null,"linkUrl":"https://divinalingua.it/it/blogue/pq43152f561868-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i15_UdeM_PaZ_PQ-4315.2_F56_1868_Planche_43_1619x2047.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i15 Ude M Pa Z PQ 4315 2 F56 1868 Planche 43 1619x2047","width":1619,"height":2047}]}]},"module_textCard_Entry:2881":{"id":"2881","__typename":"module_textCard_Entry","typeHandle":"textCard","richTitle":"<p>Essi intravedono gli adulatori scontare la loro pena immersi nello sterco. Dante riconosce un lucchese suo coetaneo, Alessio Interminelli.</p>","richSubtitle":"\n<p><br /></p>\n","introduction":null,"text":null,"reverse":false,"card":[{"__ref":"card_image_Entry:2871"}]},"quote_default_BlockType:40821":{"id":"40821","__typename":"quote_default_BlockType","text":"Quivi venimmo; e quindi giù nel fosso"},"quote_default_BlockType:40822":{"id":"40822","__typename":"quote_default_BlockType","text":"vidi gente attuffata in uno sterco"},"quote_default_BlockType:40823":{"id":"40823","__typename":"quote_default_BlockType","text":"che da li uman privadi parea mosso."},"quote_default_BlockType:40824":{"id":"40824","__typename":"quote_default_BlockType","text":"E mentre ch’io là giù con l’occhio cerco,"},"quote_default_BlockType:40825":{"id":"40825","__typename":"quote_default_BlockType","text":"vidi un col capo sì di merda lordo,"},"quote_default_BlockType:40826":{"id":"40826","__typename":"quote_default_BlockType","text":"che non parea s’era laico o cherco."},"module_quote_Entry:2890":{"id":"2890","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA : Inf. 18, 112-117.</p>","quote":[{"__ref":"quote_default_BlockType:40821"},{"__ref":"quote_default_BlockType:40822"},{"__ref":"quote_default_BlockType:40823"},{"__ref":"quote_default_BlockType:40824"},{"__ref":"quote_default_BlockType:40825"},{"__ref":"quote_default_BlockType:40826"}]},"module_header_Entry:2625":{"id":"2625","__typename":"module_header_Entry","typeHandle":"header","displayTitle":"Simoniaci","subtitle":null,"surtitle":"Terza bolgia (Inf. 19)","backgroundText":"III","centered":false},"module_paragraph_Entry:2646":{"id":"2646","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"\n<p>Commette peccato di simonia chi fa commercio delle realtà spirituali e delle cariche ecclesiastiche, traendone profitti. <strong>Sul fondo della terza bolgia, I dannati per simonia sono piantati a testa in giù nelle fenditure della roccia, con i piedi arsi dal fuoco</strong>. </p>\n","moduleParagraphTextSize":"large","textAlignment":"right"},"module_paragraph_Entry:2650":{"id":"2650","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"<p>Attraversato il secondo ponte e attraversando il terzo, Dante e Virgilio osservano le gambe dei simoniaci spuntare dal suolo. <strong>Due fiamme che bruciano più intense delle altre attirano l’attenzione di Dante, che chiede a Virgilio di poter scendere sul fondo della bolgia</strong>.</p>","moduleParagraphTextSize":"large","textAlignment":"left"},"card_image_Entry:2654":{"id":"2654","__typename":"card_image_Entry","legend":"<p>Dante e Virgilio scendono nella bolgia dei simoniaci (riproduzione di un disegno di Sandro Botticelli). - <em>La Divina Commedia or The Divine Vision of Dante Alighieri in Italian and English</em>, London, The Nonesuch Press, 1928, t. 5. McGill Rare Books and Special Collections, folio Colgate 6 N663 D36 1928.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i17_McGill_folioColgate6N663D361928_p_58bis_merged.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i17 Mc Gill folio Colgate6 N663 D361928 p 58bis merged","width":1920,"height":1541}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Dante e Virgilio scendono nella bolgia dei simoniaci","paragraph":"<p>Questa edizione della <em>Commedia</em> affianca il testo italiano alla traduzione inglese in versi liberi di Herny Francis Cary, senza commento. Le 42 illustrazioni che arricchiscono il volume riproducono delle parti dei disegni del pittore rinascimentale Sandro Botticelli. Delle 1475 copie di quest’edizione limitata, McGill University conserva la n. 1141. Stando all’ex libris, il volume è appartenuto a Howard Murray (1859-1930), <em>professor of classics</em> et decano della Dalhousie University di Halifax.</p>\n<p>Nella riproduzione del disegno di Botticelli, Dante e Virgilio scendono nella bolgia dei <a href=\"https://www.treccani.it/enciclopedia/simonia-e-simoniaci_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">simoniaci</a>, per poter parlare con papa <a href=\"https://www.treccani.it/enciclopedia/niccolo-iii_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Niccolò III</a>.</p>","subtitle":"<p>Riproduzione di un disegno di Sandro Botticelli. - <em>La Divina Commedia or The Divine Vision of Dante Alighieri in Italian and English</em>, London, The Nonesuch Press, 1928, t. 5. McGill Rare Books and Special Collections, folio Colgate 6 N663 D36 1928</p>","layout":"horizontal","legend":null,"linkUrl":"https://divinalingua.it/it/blog/foliocolgate6n663d361928-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i17_McGill_folioColgate6N663D361928_p_58bis_merged.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i17 Mc Gill folio Colgate6 N663 D361928 p 58bis merged","width":1920,"height":1541}]}]},"module_image_Entry:2658":{"id":"2658","__typename":"module_image_Entry","typeHandle":"image","moduleImageSize":"full","card":[{"__ref":"card_image_Entry:2654"}]},"card_image_Entry:9057":{"id":"9057","__typename":"card_image_Entry","legend":"<p>Argomento e inizio del canto XIX dell’<em>Inferno</em>, con apostrofe al mago biblico Simone. - Dante Alighieri, <em>L’Enfer</em>, tradotto da Rivarol<em>, </em>Paris, Librairie de la Bibliothèque nationale, 1875, vol. 2, p. 13. Université de Montréal, Bibliothèque des livres rares et collections spéciales, collection Joseph-Édouard-Perrault, PERRAULT 2008.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i16_UdeM_PERREAULT_2008_p_13.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i16 Ude M PERREAULT 2008 p 13","width":1000,"height":1604}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Argomento e inizio del canto XIX dell’Inferno","paragraph":"<p>L’opera qui presentata è la prima edizione della traduzione in prosa francese dell’<em>Inferno</em>\ndi Antoine Rivaroli, detto Rivarol, uscita in due volumi nel 1785. La copia da cui è estratta questa pagina proviene dalla biblioteca personale di Joseph-Édouard Perreault (1874-1948), deputato e ministro del Québec. Con sua moglie Madeleine Richard (188-1975), i due formavano una coppia di bibliofili appassionati alle edizioni di lusso.</p>","subtitle":"<p>Dante Alighieri, <em>L’Enfer</em>, tradotto da Rivarol<em>, </em>Paris, Librairie de la Bibliothèque nationale, 1875, vol. 2, p. 13. Université de Montréal, Bibliothèque des livres rares et collections spéciales, collection Joseph-Édouard-Perrault, PERRAULT 2008</p>","layout":"vertical","legend":null,"linkUrl":"https://divinalingua.it/it/blog/perrault-2008-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i16_UdeM_PERREAULT_2008_p_13.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i16 Ude M PERREAULT 2008 p 13","width":1000,"height":1604}]}]},"module_textCard_Entry:3004":{"id":"3004","__typename":"module_textCard_Entry","typeHandle":"textCard","richTitle":null,"richSubtitle":null,"introduction":"<p>Essi si avvicinano ai piedi di papa Niccolò III, che si palesa ai due viandanti e, in un gioco di equivoci, vaticina il prossimo arrivo di due suoi successori, i papi Bonifacio VIII e Clemente V. Una volta morti e dannati, essi prenderanno il posto di Niccolò, sospingendolo più a fondo nella roccia. Prima di risalire la parete della bolgia, Dante non sa trattenere un’invettiva contro i papi simoniaci e la degenerazione della Chiesa di Roma.</p>","text":"<p>La sua condizione di anima dell’Aldilà permette a Niccolò III di conoscere fatti ed eventi futuri. Egli sa perciò della prossima dannazione di Bonifacio VIII e Clemente V, suoi successori tanto sul trono papale quanto nella fenditura della terza bolgia. Il primo, al secolo Benedetto Caetani, papa tra 1294 e 1303, è grande avversario del re di Francia Filippo il Bello e nemico politico di Dante, responsabile tra l’altro della cacciata dei Guelfi bianchi da Firenze. Il secondo, al secolo Bertrand de Got, pontefice dal 1305 al 1314, trasferirà la residenza papale da Roma ad Avignone e, da filofrancese e con l’appoggio dal re Filippo, darà inizio ai settant’anni di cattività avignonese. Nonostante il viaggio della <strong>Commedia</strong> abbia luogo nel 1300, quindi prima della morte di Bonifacio e Clemente, Dante non rinuncia a trovar loro un posto in Inferno.</p>","reverse":false,"card":[{"__ref":"card_image_Entry:9057"}]},"quote_default_BlockType:40771":{"id":"40771","__typename":"quote_default_BlockType","text":"Fuor de la bocca a ciascun soperchiava"},"quote_default_BlockType:40772":{"id":"40772","__typename":"quote_default_BlockType","text":"d’un peccator li piedi e de le gambe"},"quote_default_BlockType:40773":{"id":"40773","__typename":"quote_default_BlockType","text":"infino al grosso, e l’altro dentro stava."},"quote_default_BlockType:40774":{"id":"40774","__typename":"quote_default_BlockType","text":"Le piante erano a tutti accese intrambe;"},"quote_default_BlockType:40775":{"id":"40775","__typename":"quote_default_BlockType","text":"per che sì forte guizzavan le giunte,"},"quote_default_BlockType:40776":{"id":"40776","__typename":"quote_default_BlockType","text":"che spezzate averien ritorte e strambe."},"module_quote_Entry:3083":{"id":"3083","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 19, 22-29</p>","quote":[{"__ref":"quote_default_BlockType:40771"},{"__ref":"quote_default_BlockType:40772"},{"__ref":"quote_default_BlockType:40773"},{"__ref":"quote_default_BlockType:40774"},{"__ref":"quote_default_BlockType:40775"},{"__ref":"quote_default_BlockType:40776"}]},"module_header_Entry:3079":{"id":"3079","__typename":"module_header_Entry","typeHandle":"header","displayTitle":"Maghi e indovini","subtitle":null,"surtitle":"Quarta bolgia (Inf. 20)","backgroundText":"IV","centered":true},"module_paragraph_Entry:3764":{"id":"3764","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"<p>Salito sul ponte seguente, Dante osserva il lamentoso e goffo incedere dei dannati della quarta bolgia, i maghi e gli indovini. Come in vita essi hanno voluto veder troppo avanti nel futuro, così <strong>ora hanno il collo torto e procedono all’indietro, con il viso girato verso le reni</strong>. La vista dei dannati sconvolge Dante, che unisce le sue lacrime pietose a quelle miserevoli delle anime. Virgilio lo riprende – ché non è razionale la pietà verso chi è stato dannato – e gli indica alcune anime. La presenza della maga Manto tra di esse offre a Virgilio lo spunto per evocare le origini mitiche della propria città, Mantova.</p>","moduleParagraphTextSize":"large","textAlignment":"left"},"quote_default_BlockType:3781":{"id":"3781","__typename":"quote_default_BlockType","text":"«Vedi Tiresia, che mutò sembiante"},"quote_default_BlockType:3782":{"id":"3782","__typename":"quote_default_BlockType","text":"quando di maschio femmina divenne"},"quote_default_BlockType:3783":{"id":"3783","__typename":"quote_default_BlockType","text":"cangiandosi le membra tutte quante;"},"quote_default_BlockType:3784":{"id":"3784","__typename":"quote_default_BlockType","text":"e prima, poi, ribatter li convenne"},"quote_default_BlockType:3785":{"id":"3785","__typename":"quote_default_BlockType","text":"li duo serpenti avvolti, con la verga,"},"quote_default_BlockType:3786":{"id":"3786","__typename":"quote_default_BlockType","text":"che riavesse le maschili penne»."},"module_quote_Entry:3768":{"id":"3768","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 20, 40-45</p>","quote":[{"__ref":"quote_default_BlockType:3781"},{"__ref":"quote_default_BlockType:3782"},{"__ref":"quote_default_BlockType:3783"},{"__ref":"quote_default_BlockType:3784"},{"__ref":"quote_default_BlockType:3785"},{"__ref":"quote_default_BlockType:3786"}]},"card_image_Entry:9033":{"id":"9033","__typename":"card_image_Entry","legend":"<p>Nel margine inferiore delle due carte, Dante e Virgilio sono davanti ai maghi e agli indovini. - Napoli, Biblioteca Nazionale “Vittorio Emanuele III”, XIII.C.4, cc. 10v-11r.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_14_BN_XIII_C_4_f_10_r_11_v.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 14 BN XIII C 4 f 10 r 11 v","width":1920,"height":1288}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Dante e Virgilio sono davanti ai maghi e agli indovini","paragraph":"<p>Il manoscritto XIII.C.4, pergamenaceo, è datato al terzo quarto del XIV secolo. Il codice è mutilo e non contiene che alcune parti delle tre cantiche. Il testo della <em>Commedia </em>è copiato su una colonna e decorato con iniziali miniate e filigranate. Due artisti diversi realizzano i 76 disegni a penna che occupano i margini delle carte.</p>\n<p>Sulla carta di sinistra, Dante e Virgilio parlano con <a href=\"https://www.treccani.it/enciclopedia/tiresia_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Tiresia</a>; in quello di destra con la maga <a href=\"https://www.treccani.it/enciclopedia/manto_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Manto</a>.<br /></p>","subtitle":"<p>Napoli, Biblioteca Nazionale “Vittorio Emanuele III”, XIII.C.4, cc. 10v-11r</p>","layout":"horizontal","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","linkUrl":"https://divinalingua.it/it/blog/xiii-c-4-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_14_BN_XIII_C_4_f_10_r_11_v.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 14 BN XIII C 4 f 10 r 11 v","width":1920,"height":1288}]}]},"module_image_Entry:9030":{"id":"9030","__typename":"module_image_Entry","typeHandle":"image","moduleImageSize":"large","card":[{"__ref":"card_image_Entry:9033"}]},"module_textAnimation_Entry:3806":{"id":"3806","__typename":"module_textAnimation_Entry","typeHandle":"textAnimation","text":"<p>La luna, che dalla selva oscura Dante aveva visto piena, tocca ormai la linea dell’orizzonte che divide i due emisferi: son già passate le sei del mattino.</p>","animationData":"{\"v\":\"5.7.12\",\"fr\":60,\"ip\":0,\"op\":300,\"w\":4800,\"h\":2700,\"nm\":\"02-Coucher-Lune 2\",\"ddd\":0,\"assets\":[],\"layers\":[{\"ddd\":0,\"ind\":1,\"ty\":4,\"nm\":\"Ellipse 58\",\"sr\":1,\"ks\":{\"o\":{\"a\":0,\"k\":100,\"ix\":11},\"r\":{\"a\":0,\"k\":0,\"ix\":10},\"p\":{\"a\":1,\"k\":[{\"i\":{\"x\":0.833,\"y\":0.833},\"o\":{\"x\":0.167,\"y\":0.167},\"t\":0,\"s\":[2401.5,2139,0],\"to\":[0,-66.667,0],\"ti\":[0,66.667,0]},{\"t\":299,\"s\":[2401.5,1739,0]}],\"ix\":2,\"l\":2,\"x\":\"var $bm_rt;\\nfunction easeandwizz_outQuart(t, b, c, d) {\\n    return $bm_sum($bm_mul($bm_neg(c), $bm_sub($bm_mul($bm_mul($bm_mul(t = t / d - 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Una palude nera di pece bollente ricopre il fondo della quinta bolgia, nascondendo le anime dei barattieri. Un gruppo di diavoli, i Malebranche, li sorveglia dall’alto pronto a uncinarli e percuoterli.</p>","moduleParagraphTextSize":"large","textAlignment":"left"},"module_text_Entry:4962":{"id":"4962","__typename":"module_text_Entry","typeHandle":"text","text":"\n<p>Dopo aver parlato con un dannato, Dante e Virgilio si accorgono di non poter raggiungere la bolgia successiva: il sesto ponte è distrutto, abbattuto dal terremoto che si scatenò nel momento della morte di Cristo 1266 anni prima. Così li informa Malacoda, il capo dei Malebranche. Dante ha il tempo di interrogare un barattiere che i diavoli hanno arpionato, il navarrese Ciampolo, prima di allontanarsi alla ricerca di un modo per continuare il viaggio. Mentre i due viandanti percorrono l’argine roccioso ragionando sul da farsi, i diavoli cominciano a inseguirli e incalzarli. Virgilio afferra un terrorizzato Dante e si precipita giù per la parete della sesta bolgia.</p>\n"},"quote_default_BlockType:41147":{"id":"41147","__typename":"quote_default_BlockType","text":"Per l’argine sinistro volta dienno;"},"quote_default_BlockType:41148":{"id":"41148","__typename":"quote_default_BlockType","text":"ma prima avea ciascun la lingua stretta"},"quote_default_BlockType:41149":{"id":"41149","__typename":"quote_default_BlockType","text":"coi denti, verso lor duca, per cenno;"},"quote_default_BlockType:41150":{"id":"41150","__typename":"quote_default_BlockType","text":"ed elli avea del cul fatto trombetta."},"module_quote_Entry:4075":{"id":"4075","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 21, 136-139</p>","quote":[{"__ref":"quote_default_BlockType:41147"},{"__ref":"quote_default_BlockType:41148"},{"__ref":"quote_default_BlockType:41149"},{"__ref":"quote_default_BlockType:41150"}]},"card_image_Entry:4179":{"id":"4179","__typename":"card_image_Entry","legend":"<p>La miniatura alla fine del canto XX dell’<em>Inferno</em> mostra Virgilio e Dante davanti ai diavoli di Malebranche, uno dei quali fa del cul trombetta. - Firenze, Biblioteca Nazionale Centrale, Palatino 313, c. 51v.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_15_BNC_Palatino_313_f_51v.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 15 BNC Palatino 313 f 51v","width":900,"height":629}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Virgilio e Dante davanti ai diavoli di Malebranche","paragraph":"<p>Prodotto nel secondo quarto del XIV secolo, il Palatino 313 è il più antico manoscritto miniato della <em>Commedia </em>arrivato fino a noi. Il testo delle tre cantiche è copiato su due colonne e incorniciato dal commento di Jacopo Alighieri, figlio di Dante. Lo spazio delle colonne richiede due righe per la trascrizione della maggior parte dei versi, secondo un’impaginazione che non avrà tradizione successiva. Le 37 miniature che decorano il codice sono attribuite al fiorentino Pacino da Bonaguida. Il manoscritto è passato per le mani di Piero del Nero, letterato e politico fiorentino del XVI secolo, e di Gaetano Poggiali, che lo ha usato come punto di partenza per la sua edizione della <em>Commedia </em>pubblicata all’inizio del XIX secolo.</p>","subtitle":"<p>Firenze, Biblioteca Nazionale Centrale, Palatino 313, cc. 51v-52r</p>","layout":"horizontal","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","linkUrl":"https://divinalingua.it/it/blog/palatino-313-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_15_BNC_Palatino_313_f_51v_merged-layers.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 15 BNC Palatino 313 f 51v merged layers","width":1920,"height":1407}]}]},"module_textCard_Entry:4183":{"id":"4183","__typename":"module_textCard_Entry","typeHandle":"textCard","richTitle":null,"richSubtitle":null,"introduction":null,"text":"<p>Con Malacoda, Farfarello, Alichino, Barbariccia, Libicocco, Cagnazzo, Rubicante, Calcabrina e Draghignazzo, nella quinta bolgia Dante mette in scena una vera e propria “commedia dei diavoli”. Se da una parte la truppa dei Malebranche cerca di raggirare Dante e Virgilio, mandandoli alla ricerca di altri ponti in realtà distrutti, dall’altra parte sono gli stessi diavoli ad essere beffati da Ciampolo, che con astuzia si sottrae alle loro vessazioni facendone finire due nella pece bollente. Per quanto Dante si preoccupi di mostrare la loro crudeltà e il loro carattere violento, i diavoli restano vittime grottesche della loro mediocrità scurrile e laida fatta di pernacchie e peti.</p>","reverse":false,"card":[{"__ref":"card_image_Entry:4179"}]},"quote_default_BlockType:39889":{"id":"39889","__typename":"quote_default_BlockType","text":"Ma l’altro fu bene sparvier grifagno"},"quote_default_BlockType:39890":{"id":"39890","__typename":"quote_default_BlockType","text":"ad artigliar ben lui, e amendue"},"quote_default_BlockType:39891":{"id":"39891","__typename":"quote_default_BlockType","text":"cadder nel mezzo del bogliente stagno."},"quote_default_BlockType:39892":{"id":"39892","__typename":"quote_default_BlockType","text":"Lo caldo sghermitor sùbito fue;"},"quote_default_BlockType:39893":{"id":"39893","__typename":"quote_default_BlockType","text":"ma però di levarsi era neente,"},"quote_default_BlockType:39894":{"id":"39894","__typename":"quote_default_BlockType","text":"sì avieno inviscate l’ali sue."},"module_quote_Entry:4114":{"id":"4114","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 22, 139-144.</p>","quote":[{"__ref":"quote_default_BlockType:39889"},{"__ref":"quote_default_BlockType:39890"},{"__ref":"quote_default_BlockType:39891"},{"__ref":"quote_default_BlockType:39892"},{"__ref":"quote_default_BlockType:39893"},{"__ref":"quote_default_BlockType:39894"}]},"module_geometries_Entry:6087":{"id":"6087","__typename":"module_geometries_Entry","typeHandle":"geometries","title":"Géométries - 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Il codice è mutilo e non contiene che alcune parti delle tre cantiche. Il testo della <em>Commedia </em>è copiato su una colonna e decorato con iniziali miniate e filigranate. Due artisti diversi realizzano i 76 disegni a penna che occupano i margini delle carte.</p>\n<p>Nella carta di sinistra, Dante e Virgilio scappano dai <a href=\"https://www.treccani.it/enciclopedia/malebranche_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Malebranche</a>; in quella di destra, Virgilio prende Dante di peso e si lancia sul fondo della bolgia successiva.</p>","subtitle":"<p>Napoli, Biblioteca Nazionale “Vittorio Emanuele III”, XIII.C.4, cc. 14v-15r</p>","layout":"horizontal","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","linkUrl":"https://divinalingua.it/it/blog/xiii-c-4-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_16_BN_XIII_C_4_f_14_v_15_r.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 16 BN XIII C 4 f 14 v 15 r","width":1920,"height":1290}]}]},"module_image_Entry:4277":{"id":"4277","__typename":"module_image_Entry","typeHandle":"image","moduleImageSize":"large","card":[{"__ref":"card_image_Entry:4273"}]},"module_header_Entry:4289":{"id":"4289","__typename":"module_header_Entry","typeHandle":"header","displayTitle":"Ipocriti","subtitle":null,"surtitle":"Sesta bolgia (Inf. 23)","backgroundText":"VI","centered":true},"module_paragraph_Entry:4301":{"id":"4301","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"\n<p>Rocambolescamente giunti sul fondo della sesta bolgia, Dante e Virgilio incontrano i dannati per ipocrisia, imprigionati in enormi cappe da monaco, dorate all’esterno ma fatte in realtà di pesante piombo. <strong>Gli ipocriti incedono lentamente per il peso della veste e calpestano sul loro cammino altri ipocriti stesi a terra, crocifissi con tre pali di legno: sono i membri del Sinedrio di Gerusalemme, che condannarono a morte Gesù con falsi pretesti</strong>. </p>\n<p> </p>\n<p>I dannati indicano a Dante e Virgilio le rovine di uno dei ponti che i due viandanti, con grande fatica, risalgono scalando.</p>\n\n","moduleParagraphTextSize":"large","textAlignment":"center"},"quote_default_BlockType:39723":{"id":"39723","__typename":"quote_default_BlockType","text":"Elli avean cappe con cappucci bassi"},"quote_default_BlockType:39724":{"id":"39724","__typename":"quote_default_BlockType","text":"dinanzi a li occhi, fatte de la taglia"},"quote_default_BlockType:39725":{"id":"39725","__typename":"quote_default_BlockType","text":"che in Clugnì per li monaci fassi."},"quote_default_BlockType:39726":{"id":"39726","__typename":"quote_default_BlockType","text":"Di fuor dorate son, sì ch’elli abbaglia;"},"quote_default_BlockType:39727":{"id":"39727","__typename":"quote_default_BlockType","text":"ma dentro tutte piombo, e gravi tanto,"},"quote_default_BlockType:39728":{"id":"39728","__typename":"quote_default_BlockType","text":"che Federigo le mettea di paglia."},"module_quote_Entry:4305":{"id":"4305","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 23, 61-66.</p>","quote":[{"__ref":"quote_default_BlockType:39723"},{"__ref":"quote_default_BlockType:39724"},{"__ref":"quote_default_BlockType:39725"},{"__ref":"quote_default_BlockType:39726"},{"__ref":"quote_default_BlockType:39727"},{"__ref":"quote_default_BlockType:39728"}]},"card_image_Entry:4422":{"id":"4422","__typename":"card_image_Entry","legend":"<p>Nel disegno a penna, Dante e Virgilio osservano l’ipocrita Caifa crocifisso a terra. - Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, c. 106v.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_17_BLM_Plut._90_inf_42_f_106_v.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 17 BLM Plut 90 inf 42 f 106 v","width":877,"height":1920}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Dante e Virgilio davanti a Caifa","paragraph":"<p>Il plut. 90 inf. 42 è un codice cartaceo prodotto nel XIV secolo. Nel copiare, lo scriba anonimo alterna dei gruppi di terzine con dei passi del commento alla Commedia di Graziolo Bambaglioli. Un secondo copista, Filippo di Matteo Villani, corregge le sviste del primo e aggiunge alcune annotazioni. I 43 disegni a penna che decorano il manoscritto non sembrano essere stati previsti nel piano originario di copia, e sono probabilmente l’opera del copista principale e di un altro artista. Il manoscritto è una delle copie della <em>Commedia</em> più esplicitamente collegate all’ambito mercantile, come testimoniano sia il formato del manoscritto, lungo e stretto come un libro di conti, sia la scrittura mercantesca utilizzata nella trascrizione. </p>\n<p>Nel disegno al centro della pagina, da sinistra a destra, Virgilio e Dante osservano <a href=\"https://www.treccani.it/enciclopedia/caifas_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Caifa</a> e gli <a href=\"https://www.treccani.it/enciclopedia/ipocriti_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">ipocriti</a>, coperti dalle loro pesanti cappe, che avanzano.</p>","subtitle":"<p>Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, c. 106v</p>","layout":"vertical","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","linkUrl":"https://divinalingua.it/it/blog/plut-90-inf-42-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_17_BLM_Plut._90_inf_42_f_106_v.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 17 BLM Plut 90 inf 42 f 106 v","width":877,"height":1920}]}]},"module_textCard_Entry:4426":{"id":"4426","__typename":"module_textCard_Entry","typeHandle":"textCard","richTitle":null,"richSubtitle":"<p>La discesa verso il fondo dell’Inferno si fa via via più ardua e complessa. La difficile scalata dell’argine che separa la sesta e la settima bolgia sfinisce Dante, che arrivato in cima si permette una sosta. Virgilio lo rimprovera immediatamente, poiché altra scala più erta resta ancora da salire. Su un piano allegorico, non basta esplorare i mali più turpi che l’Inferno rappresenta; bisogna anche espiarli e continuare il cammino verso il bene, facendo penitenza sulla montagna del Purgatorio, fino alla pienezza dei cieli del Paradiso.</p>","introduction":null,"text":null,"reverse":true,"card":[{"__ref":"card_image_Entry:4422"}]},"module_header_Entry:5030":{"id":"5030","__typename":"module_header_Entry","typeHandle":"header","displayTitle":"Ladri","subtitle":null,"surtitle":"Settima bolgia (Inf. 24-26)","backgroundText":"VII","centered":true},"module_paragraph_Entry:5036":{"id":"5036","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"<p>Attraversato l’arco di roccia – questo, sì, integro – che sovrasta la settima bolgia, Dante osserva orripilato le bestiali metamorfosi subìte dalle anime dei ladri.</p>","moduleParagraphTextSize":"larger","textAlignment":"center"},"card_image_Entry:8244":{"id":"8244","__typename":"card_image_Entry","legend":"<p>Dante e Virgilio osservano i ladri, tra cui Caco, attaccati dai serpenti (incisione su legno di Jacques Beltrand su un disegno di Sandro Botticelli). - <em>Sixième centenaire de Dante Alighieri, 1321-1921: bulletin du jubilé</em>, Paris, L’Art catholique, 1921, p. 136. Université de Montréal, Bibliothèque des lettres et sciences humaines, Collection de l’Institut d’études médiévales, PQ 4364 S625 1921.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i19_UdeM_PQ4364S625_1921_p_136.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i19 Ude M PQ4364 S625 1921 p 136","width":1920,"height":1138}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Dante e Virgilio osservano i ladri attaccati dai serpenti","paragraph":"<p>Come per il settimo centenario della morte di Dante del 2021, anche per il sesto del 1921 la comunità delle lettere si attivò per l’organizzazione di diversi eventi, pubblicazioni e iniziative per celebrare il poeta. In questo contesto, il Comité français catholique pubblicò un bollettino delle celebrazioni ricco di contributi sulla figura di Dante, la sua opera e la loro ricezione. Al suo interno furono pubblicati anche diversi frammenti di una nuova traduzione in francese dell’<em>Inferno</em>.</p>\n<p>La copia del volume qui presentata proviene dal convento domenicano di Lewiston, in Maine. Alla chiusura del convento negli anni '90 del secolo scorso, essa venne trasferita alla Bibliothèque Albert-le-Grand dell’Institut d’études médiévales, principale biblioteca dell'ordine domenicano a Montreal. Nel 1995, la collezione dell’Institut è stata acquisita dall’Université de Montréal.</p>","subtitle":"<p><em>Sixième centenaire de Dante Alighieri, 1321-1921: bulletin du jubilé</em>, Paris, L’Art catholique, 1921, pp. 136-137. Université de Montréal, Bibliothèque des lettres et sciences humaines, Collection de l’Institut d’études médiévales, PQ 4364 S625 1921</p>","layout":"horizontal","legend":null,"linkUrl":"https://divinalingua.it/it/blog/pq4364s6251921-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/_AUTOxAUTO_crop_center-center_none/PQ4364S625_1921_livreOuvert.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"PQ4364 S625 1921 livre Ouvert","width":3689,"height":2389}]}]},"module_image_Entry:8241":{"id":"8241","__typename":"module_image_Entry","typeHandle":"image","moduleImageSize":"full","card":[{"__ref":"card_image_Entry:8244"}]},"module_paragraph_Entry:5040":{"id":"5040","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"\n<p>Un ammasso di serpenti si scaglia sui dannati, ne cinge i corpi e ne blocca le mani mentre questi inutilmente tentano di scappare ai morsi e alle strette. <strong>I serpenti si mescolano ai dannati fondendosi continuamente con loro in strani ibridi, a metà tra umani e rettili</strong>.</p>\n","moduleParagraphTextSize":"large","textAlignment":"right"},"card_image_Entry:8259":{"id":"8259","__typename":"card_image_Entry","legend":"<p>Virgilio indica a Dante il centauro Caco, qui raffigurato come un uomo. - Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, c. 112v.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_18_BLM_Plut._90_inf_42_f_112_v_cropped_1548x965.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 18 BLM Plut 90 inf 42 f 112 v cropped 1548x965","width":1548,"height":965}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Virgilio indica a Dante il centauro Caco","paragraph":"<p>Il plut. 90 inf. 42 è un codice cartaceo prodotto nel XIV secolo. Nel copiare, lo scriba anonimo alterna dei gruppi di terzine con dei passi del commento alla Commedia di Graziolo Bambaglioli. Un secondo copista, Filippo di Matteo Villani, corregge le sviste del primo e aggiunge alcune annotazioni. I 43 disegni a penna che decorano il manoscritto non sembrano essere stati previsti nel piano originario di copia, e sono probabilmente l’opera del copista principale e di un altro artista. Il manoscritto è una delle copie della <em>Commedia</em> più esplicitamente collegate all’ambito mercantile, come testimoniano sia il formato del manoscritto, lungo e stretto come un libro di conti, sia la scrittura mercantesca utilizzata nella trascrizione.</p>\n<p>Il disegno al centro della pagina raffigura, da sinistra a destra: Dante, Virgilio, il centauro <a href=\"https://www.treccani.it/enciclopedia/caco_%28Enciclopedia-Dantesca%29/#:~:text=-%20Personaggio%20della%20mitologia%20romana.,particolari%20l'uccisione%20di%20C.&amp;text=Ladro%20di%20bestiame%20e%20dedito,sangue%20e%20di%20teschi%20umani.\" target=\"_blank\" rel=\"noreferrer noopener\">Caco</a> (che il disegnatore raffigura in forma d’un uomo) e un altro <a href=\"https://www.treccani.it/enciclopedia/ladrone-ladro_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">ladro</a>. Dalla bocca di <a href=\"https://www.treccani.it/enciclopedia/caco_%28Enciclopedia-Dantesca%29/#:~:text=-%20Personaggio%20della%20mitologia%20romana.,particolari%20l'uccisione%20di%20C.&amp;text=Ladro%20di%20bestiame%20e%20dedito,sangue%20e%20di%20teschi%20umani.\" target=\"_blank\" rel=\"noreferrer noopener\">Caco</a> escono le parole “Ov’è, ov’è l’acerbo?” (Inf. 25, 18).</p>","subtitle":"<p>Firenze, Biblioteca Medicea Laurenziana, Plut. 90 inf. 42, c. 112v</p>","layout":"vertical","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","linkUrl":"https://divinalingua.it/it/blog/plut-90-inf-42-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_18_BLM_Plut._90_inf_42_f_112_v_884x1920.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 18 BLM Plut 90 inf 42 f 112 v 884x1920","width":884,"height":1920}]}]},"module_diptych_Entry:8883":{"id":"8883","__typename":"module_diptych_Entry","typeHandle":"diptych","title":"Diptyque - Enfer - 3/4 - Cercle 8 - Septième bolge : Voleurs - Cacus sous forme humaine","moduleDiptychLayout":"66-33","cards":[{"__ref":"card_image_Entry:8259"}]},"quote_default_BlockType:40185":{"id":"40185","__typename":"quote_default_BlockType","text":"Com’io tenea levate in lor le ciglia,"},"quote_default_BlockType:40186":{"id":"40186","__typename":"quote_default_BlockType","text":"e un serpente con sei piè si lancia"},"quote_default_BlockType:40187":{"id":"40187","__typename":"quote_default_BlockType","text":"dinanzi a l’uno, e tutto a lui s’appiglia."},"quote_default_BlockType:40188":{"id":"40188","__typename":"quote_default_BlockType","text":"Co’ piè di mezzo li avvinse la pancia,"},"quote_default_BlockType:40189":{"id":"40189","__typename":"quote_default_BlockType","text":"e con li anterior le braccia prese;"},"quote_default_BlockType:40190":{"id":"40190","__typename":"quote_default_BlockType","text":"poi li addentò e l’una e l’altra guancia."},"module_quote_Entry:8049":{"id":"8049","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 25, 49-54</p>","quote":[{"__ref":"quote_default_BlockType:40185"},{"__ref":"quote_default_BlockType:40186"},{"__ref":"quote_default_BlockType:40187"},{"__ref":"quote_default_BlockType:40188"},{"__ref":"quote_default_BlockType:40189"},{"__ref":"quote_default_BlockType:40190"}]},"card_image_Entry:8253":{"id":"8253","__typename":"card_image_Entry","legend":"<p>Dante e Virgilio davanti ai ladri attaccati dai serpenti, nella settima bolgia. - Napoli, Biblioteca Nazionale “Vittorio Emanuele III”, XIII.C.4, cc. 18v-19r.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_19_BN_XIII_C_4_f_18_V_19_r.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 19 BN XIII C 4 f 18 V 19 r","width":1920,"height":1290}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Dante e Virgilio davanti ai ladri attaccati dai serpenti","paragraph":"<p>Il manoscritto XIII.C.4, pergamenaceo, è datato al terzo quarto del XIV secolo. Il codice è mutilo e non contiene che alcune parti delle tre cantiche. Il testo della <em>Commedia</em> è copiato su una colonna e decorato con iniziali miniate e filigranate. Due artisti diversi realizzano i 76 disegni a penna che occupano i margini delle carte.</p>\n<p>A sinistra, il disegno rappresenta Dante che chiede a Virgilio di non parlare. Egli vuole ascoltare la voce dei tre dannati, di cui riconosce l’accento toscano. Un serpente a sei piedi attacca uno dei dannati. A destra, Dante e Virgilio sono spaventati dalle metamorfosi dei dannati.<br /></p>\n","subtitle":"<p>Napoli, Biblioteca Nazionale “Vittorio Emanuele III”, XIII.C.4, cc. 18v-19r</p>","layout":"vertical","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","linkUrl":"https://divinalingua.it/it/blog/xiii-c-4-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_19_BN_XIII_C_4_f_18_V_19_r.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 19 BN XIII C 4 f 18 V 19 r","width":1920,"height":1290}]}]},"module_image_Entry:8252":{"id":"8252","__typename":"module_image_Entry","typeHandle":"image","moduleImageSize":"full","card":[{"__ref":"card_image_Entry:8253"}]},"module_text_Entry:5042":{"id":"5042","__typename":"module_text_Entry","typeHandle":"text","text":"\n<p>Tra le anime, Dante incontra il pistoiese Vanni Fucci e almeno cinque fiorentini. È l’occasione di un’invettiva contro la degenerazione morale di Firenze, alla quale il poeta preannuncia un triste avvenire. </p>\n"},"module_header_Entry:7445":{"id":"7445","__typename":"module_header_Entry","typeHandle":"header","displayTitle":"Consiglieri fraudolenti","subtitle":null,"surtitle":"Ottava bolgia (Inf. 26-27)","backgroundText":"VIII","centered":true},"module_paragraph_Entry:7447":{"id":"7447","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"<p>Come una valle piena di lucciole, il fondo dell’ottava bolgia è cosparso di fiammelle. <strong>Ciascuna di esse nasconde un consigliere fraudolento che in vita ha posto la propria intelligenza al servizio della frode e dell’inganno</strong>. Dall’alto, Dante interroga la sua guida su una doppia fiamma, che Virgilio identifica essere quella in cui bruciano insieme <strong>Ulisse</strong>, protagonista dell’<em>Odissea</em><br />di Omero, e <strong>Diomede</strong>, suo amico e compagno d’arme. Quando sono vicini, Ulisse racconta ai due viandanti del suo ultimo viaggio in mare. Con la sua compagnia, Ulisse arrivò al di là delle colonne d’Ercole, ultimo limite del mondo conosciuto</p>","moduleParagraphTextSize":"large","textAlignment":"center"},"card_image_Entry:8001":{"id":"8001","__typename":"card_image_Entry","legend":"<p>Nella miniatura, Dante guarda Virgilio parlare con la fiamma che nasconde Guido da Montefeltro. - Firenze, Biblioteca Nazionale Centrale, Palatino 313, cc. 63v-64r.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_20_BNC_Palatino_313_f_63_v_merged.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 20 BNC Palatino 313 f 63 v merged","width":1920,"height":1388}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Dante guarda Virgilio parlare con la fiamma che nasconde Guido da Montefeltro","paragraph":"<p>Prodotto nel secondo quarto del XIV secolo, il Palatino 313 è il più antico manoscritto miniato della <em>Commedia</em> arrivato fino a noi. Il testo delle tre cantiche è copiato su due colonne e incorniciato dal commento di Jacopo Alighieri, figlio di Dante. La maggior parte dei versi sono copiati non su una ma su due righe, secondo una disposizione del testo che non avrà tradizione successiva. Le 37 miniature che decorano il codice sono attribuite al fiorentino Pacino da Bonaguida. Il manoscritto è passato per le mani di Piero del Nero, letterato e politico fiorentino del XVI secolo, e di Gaetano Poggiali, che lo ha usato come punto di partenza per la sua edizione della <em>Commedia</em> pubblicata all’inizio del XIX secolo.</p>\n<p>Nella miniatura al centro di c. 63v, che separa la fine del canto XXVI e l’inizio del XXVII dell’<em>Inferno</em>, Dante guarda Virgilio che parla con le fiamme. Una di esse contiene l’anima del dannato <a href=\"https://www.treccani.it/enciclopedia/guido-da-montefeltro_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Guido da Montefeltro</a>.</p>","subtitle":"<p> Firenze, Biblioteca Nazionale Centrale, Palatino 313, cc. 63v-64r</p>","layout":"vertical","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","linkUrl":"https://divinalingua.it/it/blog/palatino-313-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_20_BNC_Palatino_313_f_63_v_merged.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 20 BNC Palatino 313 f 63 v merged","width":1920,"height":1388}]}]},"module_image_Entry:7994":{"id":"7994","__typename":"module_image_Entry","typeHandle":"image","moduleImageSize":"full","card":[{"__ref":"card_image_Entry:8001"}]},"quote_default_BlockType:40479":{"id":"40479","__typename":"quote_default_BlockType","text":"«“O frati”, dissi “che per cento milia"},"quote_default_BlockType:40480":{"id":"40480","__typename":"quote_default_BlockType","text":"perigli siete giunti a l’occidente,"},"quote_default_BlockType:40481":{"id":"40481","__typename":"quote_default_BlockType","text":"a questa tanto picciola vigilia"},"quote_default_BlockType:40482":{"id":"40482","__typename":"quote_default_BlockType","text":"d’i nostri sensi ch’è del rimanente,"},"quote_default_BlockType:40483":{"id":"40483","__typename":"quote_default_BlockType","text":"non vogliate negar l’esperienza,"},"quote_default_BlockType:40484":{"id":"40484","__typename":"quote_default_BlockType","text":"di retro al sol, del mondo sanza gente."},"quote_default_BlockType:40485":{"id":"40485","__typename":"quote_default_BlockType","text":"Considerate la vostra semenza:"},"quote_default_BlockType:40486":{"id":"40486","__typename":"quote_default_BlockType","text":"fatti non foste a viver come bruti,"},"quote_default_BlockType:40487":{"id":"40487","__typename":"quote_default_BlockType","text":"ma per seguir virtute e canoscenza”»."},"module_quote_Entry:7551":{"id":"7551","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 26, 112-120</p>","quote":[{"__ref":"quote_default_BlockType:40479"},{"__ref":"quote_default_BlockType:40480"},{"__ref":"quote_default_BlockType:40481"},{"__ref":"quote_default_BlockType:40482"},{"__ref":"quote_default_BlockType:40483"},{"__ref":"quote_default_BlockType:40484"},{"__ref":"quote_default_BlockType:40485"},{"__ref":"quote_default_BlockType:40486"},{"__ref":"quote_default_BlockType:40487"}]},"module_paragraph_Entry:7451":{"id":"7451","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"<p>La legge divina non ammette, però, la tracotanza umana della sete di conoscenza. Arrivata al largo della montagna del Purgatorio, <strong>la nave di Ulisse affonda in un vortice</strong>.</p>","moduleParagraphTextSize":"large","textAlignment":"right"},"module_textTwoColumns_Entry:7457":{"id":"7457","__typename":"module_textTwoColumns_Entry","typeHandle":"textTwoColumns","leftText":"<p>Gli innumerevoli e ingegnosi inganni di Ulisse sono raccontati da Virgilio che, da fine conoscitore dell’Iliade e dell’Odissea, è ben informato delle vicende dell’eroe. Il dialogo con Ulisse si concentra, invece, sugli ultimi eventi della sua vita. Spinto dal desiderio di “divenir del mondo esperto”, Ulisse raccoglie un piccolo equipaggio e con esso prende il largo, verso le ignote rotte al di là del mondo conosciuto.</p>","rightText":"<p>In un viaggio che dura mesi, l’eroe sprona i compagni a perseverare, a seguire la loro virtù e il desiderio di conoscenza. Una tale ricerca è, però, volta all’insuccesso perché non assistita dalla Grazia divina. Quello di Ulisse non è che un folle volo, per le sue stesse premesse destinato a fallire.</p>"},"module_paragraph_Entry:7455":{"id":"7455","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"\n<p>Un altro dannato interpella Dante e Virgilio, <strong>Guido da Montefeltro</strong>, celebre uomo politico romagnolo di cui diverse fonti storiche riconoscono le virtù politiche. Guido chiede a Dante informazioni sulla situazione politica romagnola attuale. In cambio, <strong>racconta la storia della propria dannazione, che include una inefficace assoluzione piena concessagli da papa Bonifacio VIII</strong>.</p>\n","moduleParagraphTextSize":"large","textAlignment":"left"},"module_header_Entry:7202":{"id":"7202","__typename":"module_header_Entry","typeHandle":"header","displayTitle":"Seminatori di discordie e scismi","subtitle":null,"surtitle":"Nona bolgia (Inf. 28)","backgroundText":"IX","centered":true},"module_paragraph_Entry:7208":{"id":"7208","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"<p>Dante e Virgilio avanzano nella nona bolgia. Un diavolo passa a fil di spada i seminatori di discordie e scismi, mutilandoli. <strong>Gole forate, nasi mozzati, corpi quasi dimezzati, pezzi di torace e mani amputate</strong>: un tale spettacolo si mostra a Dante, ma non il diavolo e la sua spada, che si trovano più lontani sulla piana della bolgia. Nel tempo che i dannati spendono a percorrere il cerchio del fossato, le loro ferite si rimarginano e i loro corpi sono pronti a subire nuove mutilazioni.<br /></p>\n","moduleParagraphTextSize":"large","textAlignment":"center"},"quote_default_BlockType:41105":{"id":"41105","__typename":"quote_default_BlockType","text":"Un diavolo è qua dietro che n’accisma"},"quote_default_BlockType:41106":{"id":"41106","__typename":"quote_default_BlockType","text":"sì crudelmente, al taglio de la spada"},"quote_default_BlockType:41107":{"id":"41107","__typename":"quote_default_BlockType","text":"rimettendo ciascun di questa risma,"},"quote_default_BlockType:41108":{"id":"41108","__typename":"quote_default_BlockType","text":"quand’avem volta la dolente strada;"},"quote_default_BlockType:41109":{"id":"41109","__typename":"quote_default_BlockType","text":"però che le ferite son richiuse"},"quote_default_BlockType:41110":{"id":"41110","__typename":"quote_default_BlockType","text":"prima ch’altri dinanzi li rivada."},"module_quote_Entry:7212":{"id":"7212","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 28, 37-42</p>","quote":[{"__ref":"quote_default_BlockType:41105"},{"__ref":"quote_default_BlockType:41106"},{"__ref":"quote_default_BlockType:41107"},{"__ref":"quote_default_BlockType:41108"},{"__ref":"quote_default_BlockType:41109"},{"__ref":"quote_default_BlockType:41110"}]},"card_image_Entry:7195":{"id":"7195","__typename":"card_image_Entry","legend":"<p>Dante e Virgilio con Bertrand de Born, che tiene la sua testa per i capelli, e alcuni altri dannati mutilati - Firenze, Biblioteca Medicea Laurenziana, Plut. 40.7, c. 60v.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_21_BLM_Plut._40.07_f_60_v_cropped.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 21 BLM Plut 40 07 f 60 v cropped","width":1920,"height":877}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Dante e Virgilio con Bertrand de Born e altri dannati","paragraph":"<p>Di formato medio-grande, il manoscritto plut. 40.7 è stato copiato su carta tra gli anni ’60 e ’70 del XIV secolo, in Toscana. La rilegatura testimonia che il codice è appartenuto alla famiglia de' Medici. Il testo della <em>Commedia</em> è trascritto su una colonna e circondato da chiose e glosse aggiunte in diverse fasi successive. Il progetto originale di decorazione non è stato portato a termine ed è stato integrato dall’intervento di artisti posteriori. Le miniature del <em>Paradiso</em>, realizzate posteriormente al codice, mostrano un progetto unitario dell’artista che si occupa di riempire gli spazi rimasti vuoti.</p>\n<p>Nel disegno, da sinistra a destra: Virgilio, Dante, i seminatori di discordie e scismi, tra cui <a href=\"https://www.treccani.it/enciclopedia/bertram-dal-bornio_%28Enciclopedia-Dantesca%29/#:~:text=Bertram%20dal%20Bornio%20(Bertrans%20de,VE%20II%20II%209%20D.\" target=\"_blank\" rel=\"noreferrer noopener\">Bertrand de Born</a> che tiene la sua testa in mano. La punizione dei dannati è la mutilazione.</p>","subtitle":"<p>Firenze, Biblioteca Medicea Laurenziana, Plut. 40.7, c. 60v</p>","layout":"horizontal","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","linkUrl":"https://divinalingua.it/it/blog/plut-40-7-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_21_BLM_Plut._40.07_f_60_v_full.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 21 BLM Plut 40 07 f 60 v full","width":1920,"height":2464}]}]},"module_image_Entry:7156":{"id":"7156","__typename":"module_image_Entry","typeHandle":"image","moduleImageSize":"full","card":[{"__ref":"card_image_Entry:7195"}]},"module_header_Entry:6929":{"id":"6929","__typename":"module_header_Entry","typeHandle":"header","displayTitle":"Falsari","subtitle":"di metalli, di persona, di moneta e di parola","surtitle":"Decima bolgia (Inf. 29-30)","backgroundText":"X","centered":true},"module_paragraph_Entry:6931":{"id":"6931","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"<p>Lasciando indietro i dannati della nona bolgia, Dante non si accorge della presenza di un suo cugino. Virgilio lo mette al corrente mentre i due viandanti attraversano lo scoglio di roccia che sovrasta la decima fossa. Scendendo la scarpata di quest’ultima bolgia, Dante è sopraffatto dalle esalazioni di carne putrida che salgono dai falsari. <strong>Le diverse tipologie di falsari soffrono pene specifiche: gli alchimisti, falsari di metalli, sono martoriati dalla scabbia e dalla lebbra; i falsari di persona, che si finsero qualcun’altro, corrono rabbiosi mordendo gli altri dannati; i falsari di moneta sono deformati dall’idropisia, con il ventre ingigantito e il volto magrissimo; i falsari di parola, o calunniatori, sono arsi da una febbre così alta che il loro corpo emana vapore e ripugnante puzzo di olio bruciato.</strong></p>","moduleParagraphTextSize":"large","textAlignment":"center"},"card_image_Entry:7144":{"id":"7144","__typename":"card_image_Entry","legend":"<p>Dante e Virgilio nella bolgia dei falsari (incisione di William Blake). - <em>Blake’s Illustration to Dante, </em>sette illustrazioni in un volume senza data. McGill Rare Books and Special Collections, B4I421800zelf.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i18_n__McGill_B4I421800zelf.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i18 n Mc Gill B4 I421800zelf","width":1920,"height":1377}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Dante e Virgilio nella bolgia dei falsari","paragraph":"<p>La rilegatura in mezza pelle marocchina rossa di questo volume protegge sette incisioni stampate su carta India. Tutte le illustrazioni riproducono i disegni della <em>Commedia </em>realizzati dal poeta inglese William Blake. Il volume conserva l’ex libris di Clarence S. Bement (1843-1923), statunitense collezionista di minerali e monete e bibliofilo.</p>\n<p>L’illustrazione rappresenta Dante e Virgilio nella bolgia dei falsari. Si possono distinguere i diversi gruppi di dannati in base alla loro pena: gli <a href=\"https://www.treccani.it/enciclopedia/falsari_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">alchimisti</a> sono distesi a terra, mentre i <a href=\"https://www.treccani.it/enciclopedia/falsari_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">falsari di monete</a> hanno il ventre gonfio per l’idropisia.</p>","subtitle":"<p><em>Blake’s Illustration to Dante, </em>sette illustrazioni in un volume senza data. McGill Rare Books and Special Collections, Blake 2.1 B4 I42 1800z elf</p>","layout":"horizontal","legend":null,"linkUrl":"https://divinalingua.it/it/blog/blake21b4i421800zelf-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i18_n__McGill_B4I421800zelf_full.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i18 n Mc Gill B4 I421800zelf full","width":1920,"height":1496}]}]},"module_diptych_Entry:7133":{"id":"7133","__typename":"module_diptych_Entry","typeHandle":"diptych","title":"Diptyque - Enfer - 3/4 - Cercle 8 - Dixième Bolge : faussaires de métaux, de personnes, de monnaie, de paroles - IMPRIMÉ : 01_i18","moduleDiptychLayout":"66-33","cards":[{"__ref":"card_image_Entry:7144"}]},"quote_default_BlockType:41189":{"id":"41189","__typename":"quote_default_BlockType","text":"Qual sovra ’l ventre, e qual sovra le spalle"},"quote_default_BlockType:41190":{"id":"41190","__typename":"quote_default_BlockType","text":"l’un de l’altro giacea, e qual carpone"},"quote_default_BlockType:41191":{"id":"41191","__typename":"quote_default_BlockType","text":"si trasmutava per lo tristo calle."},"quote_default_BlockType:41192":{"id":"41192","__typename":"quote_default_BlockType","text":"Passo passo andavam sanza sermone,"},"quote_default_BlockType:41193":{"id":"41193","__typename":"quote_default_BlockType","text":"guardando e ascoltando li ammalati,"},"quote_default_BlockType:41194":{"id":"41194","__typename":"quote_default_BlockType","text":"che non potean levar le lor persone."},"module_quote_Entry:6936":{"id":"6936","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 29, 67-72</p>","quote":[{"__ref":"quote_default_BlockType:41189"},{"__ref":"quote_default_BlockType:41190"},{"__ref":"quote_default_BlockType:41191"},{"__ref":"quote_default_BlockType:41192"},{"__ref":"quote_default_BlockType:41193"},{"__ref":"quote_default_BlockType:41194"}]},"module_header_Entry:6908":{"id":"6908","__typename":"module_header_Entry","typeHandle":"header","displayTitle":"Pozzo dei giganti","subtitle":null,"surtitle":"(Inf. 31)","backgroundText":null,"centered":true},"card_image_Entry:6919":{"id":"6919","__typename":"card_image_Entry","legend":"<p>Dante e Virgilio ammirano i giganti. - <em>La Divina Commedia: novamente illustrata da artisti italiani</em>,\nFirenze, Alinari, 1902-1903, p. 120. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Collection générale, PQ 4302 F02 1902.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_i20_UdeM_PQ4302F02_1902_p_120.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i20 Ude M PQ4302 F02 1902 p 120","width":1920,"height":1355}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Dante e Virgilio ammirano i giganti","paragraph":"<p>Nel 1900, il fotografo Vittorio Alinari (1859-1932) lancia un concorso per l’illustrazione dell’<em>Inferno </em>di Dante. Le creazioni più belle degli artisti che parteciparono al concorso furono raccolte nell’elegante edizione della <em>Divina Commedia novamente illustrata</em>, pubblicata sia in tre volumi che in volume unico. La copia conservata dall’Université de Montréal contiene le tre cantiche raccolte in una raffinata rilegatura in cuoio.</p>\n","subtitle":"<p><em>La Divina Commedia: novamente illustrata da artisti italiani</em>,\nFirenze, Alinari, 1902-1903, p. 120. Université de Montréal, Bibliothèque des livres rares et collections spéciales, Collection générale, PQ 4302 F02 1902</p>","layout":"vertical","legend":null,"linkUrl":"https://divinalingua.it/it/blog/pq4302f021902","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_i20_UdeM_PQ4302F02_1902_p_120.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 i20 Ude M PQ4302 F02 1902 p 120","width":1920,"height":1355}]}]},"module_image_Entry:6918":{"id":"6918","__typename":"module_image_Entry","typeHandle":"image","moduleImageSize":"full","card":[{"__ref":"card_image_Entry:6919"}]},"module_paragraph_Entry:6874":{"id":"6874","__typename":"module_paragraph_Entry","typeHandle":"paragraph","text":"\n<p>Dante e Virgilio si allontanano dal lazzaretto dei falsari e percorrono l’argine più interno delle Malebolge. <strong>In lontananza, alti come torri, intravedono le sagome dei giganti. Essi sono incatenati allo strapiombo che separa l’ottavo cerchio dei fraudolenti dal nono dei traditori</strong>. Con l’eccezione del gigante Nembrot, responsabile secondo la Bibbia della costruzione della torre di Babele, i giganti che Virgilio riconosce appartengono tutti alle storie della mitologia greca.</p>\n","moduleParagraphTextSize":"large","textAlignment":"left"},"card_image_Entry:6824":{"id":"6824","__typename":"card_image_Entry","legend":"<p>Nello spazio dell’iniziale <i>F</i>, il gigante Anteo trasporta Dante e Virgilio nel nono cerchio dell’Inferno. - Firenze, Biblioteca Nazionale Centrale, Banco Rari 39, c. 130r.</p>","image":[{"__typename":"assets_Asset","url":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/01_22_-BNC_Banco_Rari_39_f_130_r.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 22 BNC Banco Rari 39 f 130 r","width":1317,"height":1721}],"modal":[{"__typename":"modal_default_BlockType","displayTitle":"Il gigante Anteo trasporta Dante e Virgilio nel nono cerchio","paragraph":"<p>Il manoscritto Banco Rari 39, membranaceo di formato medio-grande, è stato realizzato nel primo decennio del XV secolo. Contiene le tre cantiche, il cui testo è trascritto su una colonna e incorniciato dal commento di Francesco da Buti. La decorazione, attribuita alla bottega di Giovannino de’ Grassi, è di alta qualità e particolarmente ricca ed elaborata nella realizzazione delle iniziali miniate. Essa è però rimasta incompleta e ne risulta un’alternanza di fascicoli sontuosamente miniati e altri totalmente privi di decorazione.</p>\n<p>Nell’iniziale istoriata <em>F</em>, il miniatore rappresenta una scena della discesa verso la parte più bassa dell’Inferno. Dante e Virgilio chiedono l’aiuto del gigante <a href=\"https://www.treccani.it/enciclopedia/anteo_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">Anteo</a>, che li trasporta sul fondo del pozzo. Nell’angolo sinistro della miniatura è raffigurato un gruppo di <a href=\"https://www.treccani.it/enciclopedia/falsari_%28Enciclopedia-Dantesca%29/\" target=\"_blank\" rel=\"noreferrer noopener\">falsari</a>.</p>","subtitle":"<p>Firenze, Biblioteca Nazionale Centrale, Banco Rari 39, c. 130r</p>","layout":"horizontal","legend":"<p>Su concessione del Ministero della Cultura italiano. È vietata ogni ulteriore riproduzione con qualsiasi mezzo.</p>","linkUrl":"https://divinalingua.it/it/blog/banco-rari-39-it","image":[{"__typename":"assets_Asset","url@transform({\"format\":\"jpg\",\"immediately\":true})":"https://cms.divinalingua.it/uploads/1Enfer/3-de-4-Cercle-VIII/_AUTOxAUTO_crop_center-center_none/01_22_-BNC_Banco_Rari_39_f_130_r_1920x2581.jpg","url@base64({\"format\":\"jpg\",\"width\":20})":"data:image/png;base64,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","title":"01 22 BNC Banco Rari 39 f 130 r 1920x2581","width":1920,"height":2581}]}]},"module_textCard_Entry:6828":{"id":"6828","__typename":"module_textCard_Entry","typeHandle":"textCard","richTitle":null,"richSubtitle":"\n<p>Raggiunto il gigante Anteo, l’unico libero da catene, Virgilio lo prega di aiutarli a scendere nel pozzo del nono cerchio. Anteo distende le smisurate mani, afferra Dante, atterrito e abbracciato a Virgilio, e deposita i due viandanti nella parte più bassa dell’Inferno.</p>\n","introduction":null,"text":null,"reverse":true,"card":[{"__ref":"card_image_Entry:6824"}]},"quote_default_BlockType:40413":{"id":"40413","__typename":"quote_default_BlockType","text":"Tal parve Anteo a me che stava a bada"},"quote_default_BlockType:40414":{"id":"40414","__typename":"quote_default_BlockType","text":"di vederlo chinare, e fu tal ora"},"quote_default_BlockType:40415":{"id":"40415","__typename":"quote_default_BlockType","text":"ch’i’ avrei voluto ir per altra strada."},"quote_default_BlockType:40416":{"id":"40416","__typename":"quote_default_BlockType","text":"Ma lievemente al fondo che divora"},"quote_default_BlockType:40417":{"id":"40417","__typename":"quote_default_BlockType","text":"Lucifero con Giuda, ci sposò;"},"quote_default_BlockType:40418":{"id":"40418","__typename":"quote_default_BlockType","text":"né sì chinato, lì fece dimora,"},"quote_default_BlockType:40419":{"id":"40419","__typename":"quote_default_BlockType","text":"e come albero in nave si levò."},"module_quote_Entry:6830":{"id":"6830","__typename":"module_quote_Entry","typeHandle":"quote","legend":"<p>PASSO DELLA COMMEDIA: Inf. 31, 139-145</p>","quote":[{"__ref":"quote_default_BlockType:40413"},{"__ref":"quote_default_BlockType:40414"},{"__ref":"quote_default_BlockType:40415"},{"__ref":"quote_default_BlockType:40416"},{"__ref":"quote_default_BlockType:40417"},{"__ref":"quote_default_BlockType:40418"},{"__ref":"quote_default_BlockType:40419"}]},"page_chapter_Entry:2045":{"id":"2045","__typename":"page_chapter_Entry","uri":"inferno/cerchio-ix","displayTitle":"Nono Cerchio","shortTitle":"Cerchio IX","buttonLabel":"Attraversare il Cocito","title":"Section - Enfer - 4/4 - Cercle IX","typeHandle":"chapter","language":"it","sectionHandle":"page","level":2,"next":{"__ref":"page_book_Entry:2006"},"prev":{"__ref":"page_chapter_Entry:2019"},"localized":[{"__typename":"page_chapter_Entry","language":"fr","uri":"enfer/cercle-ix","displayTitle":"Neuvième Cercle"},{"__typename":"page_chapter_Entry","language":"en","uri":"hell/circle-ix","displayTitle":"Ninth Circle"}],"parent":{"__ref":"page_book_Entry:1993"},"children":[]},"page_chapter_Entry:2019":{"id":"2019","__typename":"page_chapter_Entry","typeHandle":"chapter","displayTitle":"Ottavo 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